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From "Appalled" to Taking Action


EquuStyle: What inspired you to dedicate your life to equines, and what was the defining moment that led to the opening of Liberty Sanctuary?


Debra West:  I’ve loved horses much of my life but it wasn’t until I learned about the atrocities in the slaughter pipeline that I was truly “appalled” to action.  My husband and I had developed an infrastructure with horses in mind on a decent amount of land.


When I learned about horse slaughter, we knew we had to help and started rescuing precious souls from the pipeline, bringing them to Utah so that we could give them refuge and work to educate the public and our legislators. Once the horses are healthy and show curiosity for humans, we work to train them and find them forever homes.


A rescued wild mustang is being ridden by a horse trainer at Liberty Sanctuary in Utah.
One wild mustang is rescued from the slaughter pipeline and receives training at Liberty Sanctuary in Utah

Fighting Against Equine Slaughter


EquuStyle: Regarding your work with SAFEACT.org and other animal welfare groups, what does the SAFE Act aim to achieve, and why is federal legislation urgently needed now?


Debra West:  We built and launched SAFEACT.org back in 2024 and the campaign was responsible for sending over 10,000 letters to legislators from constituents in all 50 states demanding a ban on horse slaughter.  The unspeakably horrifying horse slaughter industry must be shut down. It’s simply unconscionable to think of people making money off of a horse’s back in this especially gruesome and unjust way.



Besides the obvious cruelty to animals, we have recently learned that the slaughter pipeline also gives cover to criminals involved in human, sex and drug trafficking. Related, the pipeline is responsible for spreading dangerous zoonotic and other infectious diseases that could be antibiotic resistant and very hard to treat. Most kill buyers are finding greater profits as horse traders, selling horses in the US but they are still using slaughter as a marketing tool and that’s atrocious.


The slaughter pipeline must close, horsemen will take greater responsibility, American horses will be absorbed into the community, and there should be more transparency and better conditions by traders on behalf of the horses in their care.  Slaughter numbers are up again this year but horses sent to slaughter represent .4% of all horses in the United States. There are homes in America for these .4% of the population. We meet with our legislators to try to develop solutions on behalf of America’s most vulnerable horses. In the end, I don’t care how the pipeline closes, just that it does close. 


The SAFE Act keeps getting locked up in the Agriculture Committee and may not be the best vehicle at this point. It’s now looking like the BUILD America 250 Act - H.R.8870 may lead the way for the horses in the House.


The U.S. House Transportation and Infrastructure Committee passed its five-year surface transportation reauthorization bill, which includes a bipartisan amendment led by U.S. Reps. Jeff Van Drew (R-N.J.) and Dina Titus (D-Nev.), joined by Reps. Tim Burchett (R-Tenn.) and Jimmy Patronis (R-Fla.), to prohibit the transportation of horses for slaughter for human consumption - this language echoes the critical language of the SAFE Act. The bill moves on to await consideration on the House floor now and it’s important we all continue to let our legislators know we oppose the slaughter of American horses and that we support H.R. 8870.


IN 1 MINUTE

YOU CAN HELP SAVE THOUSANDS OF HORSES

A few simple clicks will send your support to legislators urging them to ban the export of

American horses for slaughter by passing the Save America’s Forgotten Equines Act

in the 119th Congress (HR 8870)


Keep America’s Horses SAFE in the USA.



An Icon Sponsor of "The Lost Horses" Campaign


EquuStyle: How is Liberty Sanctuary using its platforms to energize "The Lost Horses" campaign in support of the SAFE Act?


Debra West:  Liberty Sanctuary has been an Icon Sponsor of the Lost Horses campaign since early on. We were also pleased to host the first Lost Horses event during the Sundance Film Festival and supported other events.  We helped with marketing in redesigning our platforms to support their messaging and even brought on YESCO, a national digital billboard company, to donate space to the Lost Horses. Liberty’s overall commitment in dollars and services was close to $90,000 in support of the Lost Horses campaign to help bring an end to horse slaughter.


The Lost Horses: The Campaign will change the way people think about horses.

EquuStyle: What are the most impactful, actionable steps our readers can take today to urge their representatives to support a ban on horse slaughter?

 

Debra West:  The best thing readers can do now is to contact their legislators in support of H.R.8870, the BUILD America 250 Act including the Van Drew-Titus Amendment which bans the export of American horses for slaughter for human consumption. We are updating SAFEACT.org to point constituents in that direction and they should also call the U.S. Capitol Switchboard at (202) 224-3121 to be connected to their congressional office.


It's important to realize that every citizen can make a difference by joining others in fighting against equine slaughter.



Proactive Partnership with Other Equine Groups


Woman gently rests forehead on a white horse in a Rescued Hearts documentary poster with award laurels and healing theme.
Rescued Hearts is an award-winning documentary directed by Dana Croschere and Krisanna Sexton that explores the miracles, mystery, and science of equine-assisted healing

EquuStyle: What results have you seen from teaming up with groups like Horses for Mental Health to host community screenings of films and lead post-film discussions, such as the documentary Rescued Hearts?


Debra West:  Whenever we can create effective campaigns that allow us to collaborate with professionals, the horses win.  The horses need us to have a big, inviting tent to allow others to join us, invite their friends, become educated and inspired. This leads to action.  It helps to exchange ideas with others in the industry and outside of it. I firmly believe you don’t have to be a horseman to appreciate America’s vulnerable horses and help fight for protections.


This is about freedom and justice above all – and most of us can relate to that. Horses have been synonymous with freedom and have been celebrated in art and culture in appreciation of those themes and their majesty. 


In collaboration with others, we were proud to have welcomed 300+ guests at the Rescued Hearts premiere in Park City during Mental Health Awareness Month in coordination with the Equellness Center, the Equine Empowerment Center and Horses For Mental Health.  We were thrilled to have so many come out to appreciate the horse-human connection and that’s a testament to the role horses play in our communities.


EquuStyle: Can you share a story about how partnering with organizations like 4-H to provide equine scholarships and mentoring programs has positively changed the life of a rescued horse? 


Debra West:  Max wasn’t a rescued horse – he was my own horse and a registered AQHA horse.  However, we do invite groups like 4-H, Girl Scouts, Boy Scouts, National Charity League, local high school students and others to come learn about rescuing horses and importantly about the slaughter pipeline. The aim is to create young advocates as we invite each group to meet the Liberty Herd.


I had one especially bright 4th grader tell me that we are doing good work and that she wants to help more! The engagement with the children often involves their parents and those adults can get further involved and take action.


Liberty was proud to award Tatum the Liberty Award For Equine Excellence
"She's a horse angel in every sense," said Tatum's mother Kelly, "and she [Debra West] was making a dream happen for my daughter."


Volunteers Play a Vital Role in Caring for Our Horses


EquuStyle: You have noted that community engagement and education are "absolutely critical." With over 75 volunteers assisting your organization, how do your events and educational outreach programs help foster better horsemanship within the community?


Debra West:  Our volunteers are critical to the care of our horses.  They are the most amazing and dedicated people I’ve come across who are all here for the horses 100%!  They are also Liberty ambassadors in the community. 


Our community outreach is also extended through our educational summer programs. We consistently offer 2 free clinics weekly to the community led by our trainer, Searra Brandt, as we want to help educate other local horsemen. We also work to invite other clinicians to visit and share knowledge – like Monty Roberts’ James Oliver and Wild West Taylor.  We believe sharpening our skills is also vital and we have studied the Liberty method with Carolyn Resnick’s Nan Zintsmaster and Gamilah Unbridled’s Patrick Sullivan recently.

Rescued wild mustangs crowd a metal corral, including a black horse with a white blaze in front, under bright outdoor light. Liberty Sanctuary rescues and rehomes horses across Utah.
Horses rescued by Liberty Sanctuary from the slaughter pipeline
Over 80% of Americans are against horse slaughter – it’s time our legislators listened to their constituents and close these loopholes in protection of these American icons. 

Clearly, education about the slaughter pipeline is also very important.  Many people still don’t know the difference between slaughter and humane euthanasia. Many don’t know that over 92.3% of horses in the pipeline are young and healthy according to the USDA. When we bring these facts to light, we help the horses.  Over 80% of Americans are against horse slaughter – it’s time our legislators listened to their constituents and close these loopholes in protection of these American icons.  The more people know the facts and understand the better we can help make the world.


What Does the Future Hold for Liberty Sanctuary?


EquuStyle: Regarding the sanctuary's future, how do you balance the roles of volunteers, donors, and your adoption program to maintain operations? Additionally, could you elaborate on the challenges and importance of acquiring property with adequate water rights in the West? 


Debra West:  Great question and so timely!  These roles blend quite often. Our volunteers are our absolute strongest supporters. With just over 75 volunteers right now, our volunteers care about the Liberty Herd so much that they are amongst our most consistent donors and represent more than 70% of adoptions. We share the work we do online and more people seem to be drawn to the help the Liberty Herd and all of America’s most vulnerable horses through advocacy.


Regarding water in the west – it’s absolutely critical to sustaining operations – and it is prompting us to leave Utah for Colorado. Utah has been so supportive of Liberty Sanctuary and our volunteers here are incredible but we have made the decision to move to Colorado where land and water are more accessible. We are on 80 acres in Utah but only 1.5 acres of that is irrigated pasture and I think there are more sustainable options in Colorado.  We are excited for our next chapter in the state of Colorado and I’m dying to get the new wild horse license plate!

 

Halting the Slaughter of Horses and Burros


EquuStyle: What is the primary message you want readers to take away from your story?


Debra West:  Liberty believes the best way to help make progress for the horses is through organized collaboration with other groups; in the equine world and outside of it. This work is not about ego or who takes the lead. I’d happily be an engine at the back of a well-run train any day if it meant we were making progress for America’s most vulnerable horses. 


We know our key opposition is extremely well-funded and organized. We need that type of structure to educate the public and our legislators and truly affect change and restore wellbeing and dignity to our horses. I’d like for the public to know that there’s a place for everyone in our community and work. Whatever your talents are, the horses need you. They need us all! Reach out and we can discuss ways to work together!  There’s no talent or task too big or small. It all helps.


Humans are responsible for creating the pipeline and all of this mistreatment – it’s our duty as humans to make things right!


The next projects we would like to collaborate with others on include the Horse Heroes Collegiate Challenge to activate young voters on college campuses to engage in advocacy efforts and also a collaborative rewilding program based in Colorado to give wild horses an option to be rewilded instead of held in BLM holding facilities with no quality of life. We have passion for these projects and seek partners to help bring these to life. debra@libertysanctuary.org








All images Copyright Liberty Sanctuary-all rights reserved. Cannot be reproduced for any purpose without permission from Liberty Sanctuary.


 
 
Three colorful donkeys in vibrant shades of purple, blue, and red on a bright yellow background, captured in an expressive painting by Barbara Meilke.
Three vibrantly painted donkeys share a moment of wisdom, embodying the theme "Listen To Your Elders" with colorful expressions and a golden backdrop. Oil on canvas, 12”h x 24”w

The Spark Behind Barbara's Journey


EquuStyle: How did you become interested in painting and sculpting donkeys?


Barbara Meikle: I was born a horse lover, learned all about the donkey when I had to caretake a pair of riding mules. Fell in love with their intelligence and personalities, visited a donkey rescue in Colorado, Longhopes, and was hooked! Wanted to paint them as much as I painted horses…


Two colorful donkeys nuzzle affectionately in a vibrant, abstract painting with bold brushstrokes and a turquoise background.
Playful and vibrant, these colorful burros exude an irresistible charm, capturing hearts with their lively energy. "Getting a Bit Rowdy" Oil on canvas 16"h x 16"w

EquuStyle:  Do you aim to portray the individual personality of each animal, or a more general 'essence' of a donkey?


Barbara Meikle:  I actually try to do a little of both, there are individual traits like the length of coat, the dorsal stripe, etc., and then there is the gentle eye, the tilt of the ear when you’ve caught their attention that seems universal in the donkey world.


EquuStyle:  How does your relationship with donkeys influence the way you portray them?


Barbara Meikle:  I try to capture the physical differences between horses and donkeys because that is a distinction that is important to the physical presence of the horse vs the donkey—the angle of the head, the straightness of the back, smooth coat vs shaggy. My love for them lets me give them big brown eyes, a mischievous expression and the ability charm themselves out of trouble!



EquuStyle:  What feeling or mood do you hope a viewer experiences when looking at your paintings and sculptures?


Barbara Meikle:  Happiness! Joy, beauty, the chance to just absorb a beautiful energy for no reason other than you love that creature.


Exploring Donkey Artistry: Techniques in Paint and Clay


EquuStyle:  How do you think the medium (painting vs. sculpture) changes the way you represent donkeys?


Barbara Meikle:  Paintings give me a chance to be more experimental and play with abstract ideas of color, texture and movement. The sculpture keeps me grounded in the realities of 3 dimensions so I need to get the proportions right from every angle and make it interesting at the same time.


EquuStyle:  How do you apply impressionist techniques, such as visible brushstrokes and an emphasis on light and movement, to capture the essence of a donkey?


Two colorful donkeys in a vibrant, abstract setting. Bright strokes of blue, orange, and pink create a lively, energetic mood.
Stepping Into The Sun, oil on canvas, 30”h x 30”w

Barbara Meikle:  I start with a brush to sketch in the subject and then I usually use a palette knife to scoop up paint and put thicker layers on the canvas. I mix up the colors and the values, using brights and pastels to show movement by losing edges, overshoot the color so I can use the background to cut in the image of the donkey.


EquuStyle:  Which visual elements—color, light, texture, or form—do you feel takes priority in your work, and how does that choice impact the final painting?


Barbara Meikle:  All of these elements are part of my work. The color is are important because it is expressive color. It’s emotional. It’s how I feel about the animal. The light helps anchor the painting in some sort of reality!


I use so much texture because I use a pallet in life and it actually helps to build up the character of the animal as well as the surface of the painting. And form is important because even though I might stray, I still like to get the donkey or the horse or the lion or the zebra correct, in other words I like to make sure that I can draw them well before I paint them.


Influences, Creative Process, and Challenges


EquuStyle:  Are there any other artists, within the impressionist movement or wildlife art community, who have significantly influenced your work?


Barbara Meikle:  All other French impressionists, such as Monet, Pissarro, Sisley, Morisot were important to me. Also, the outliers, such as Manet, van Gogh, Toulouse-Lautrec, and Bonnard, all have things to offer for me in terms of a subject matter color and the process of making art.


Five colorful donkeys in a vibrant, abstract painting. Bright hues of blue, pink, orange, and green create a lively, energetic mood.
These jennies are waiting oh so patiently for their midday meal! “The Ladies Who Lunch.” Oil on canvas, 24”h x 12”w

EquuStyle:  What is your process for creating the work? Do you use photo references, live models, or memory and imagination?


Barbara Meikle:  I love to paint from life, I love to paint "en plein air" as they say, in the open air. I also paint from photographs, as I travel to places such as France, Africa, our national parks, to photograph the wildlife that I want to paint. And lastly, because I have been painting and drawing animals particularly for almost 50 years really, I use a lot for my own imagination.


EquuStyle:  What technical challenges did you face when capturing the form or texture (e.g., fur, muscle, movement) of a donkey, especially in sculpture?


Barbara Meikle:  Sculpture is what I like to call the long game, because you first create an armature, or a skeleton for the piece and then you covered it in clay. And then you just tweak, tweak, tweak, tweak, tweak. You constantly find things you need to change, the confirmation of the animal, the length of years of the donkey, how you place their feet.


I usually do a painting in a few days because I’m fast with painting, but a sculpture can take me weeks or months. You have to keep coming back to it to double check it to make sure that it’s what you want, because once you give the clay sculpture to the mold maker, you can’t make any more changes.



EquuStyle:  What emotions or ideas do you hope viewers take away from your work?


Barbara Meikle:  I just hope people learn to enjoy the donkeys and horses and other creatures I paint and sculpt, for themselves and see them as individuals. In a way, they’re just like us.


Passions Driving Her Professional Journey


EquuStyle:  How do your interests outside of art fuel your artwork?


Barbara Meikle:  I have horses that I ride and they constantly keep me thinking about how I would be painting them, and I do a lot of trail riding so I get to see the landscaping and then once again I’m thinking about how would be painting that landscape. When I visit the donkey rescues I always enjoy the crowds of animals that come around and so that gives me ideas also.


Smiling woman with curly blonde hair, wearing a turquoise necklace and plaid shirt. Bright abstract painting in vibrant yellow and red behind her.
Fine artist Barbara Meikle stands in front of her vibrant abstract painting, wearing a turquoise necklace and a colorful plaid shirt, embodying her creative spirit.

EquuStyle:  What do you like most about being an artist?


Barbara Meilke:  I love everything about being an artist, the challenges, the freedom, the fact that I am creating something that is unique. And I also love being able to earn a living as well as help out some of the rescues that I think are absolutely amazing.


EquuStyle:  In what ways does living and owning a gallery in Santa Fe impact your art?


Barbara Meikle:  Santa Fe is the third largest art market in the country, after New York City and Los Angeles, California, so there are lots of people that come here just to collect art. But I like to say that New York is investment , Los Angeles is trends, and Santa Fe is Heart because people come from all over the world to fall in love with something that they want to take home and remember their visit to our beautiful city.


Harnessing Creativity for Compassion: Barbara Meikle's Art Supporting Animal Rescues


EquuStyle:  What would like art enthusiasts to know about Barbara Meikle Fine Art?


Colorful sculpture of a purple and orange animal with a bird on its tail, surrounded by potted pink flowers in a garden setting by artist Barbara Meilke Fine Art.
A vibrant sculpture titled "Hijinks Life-size" is prominently featured in front of Barbara Meikle Fine Art Gallery in Santa Fe, New Mexico.

Barbara Meikle:  My gallery is a wonderful place to find original work, with lots of color, emotion, and love. I’m often there painting or sculpting, so you can see an artist actually working, which is come to be a rare thing. we also have  live animal events several times a year, where I have donkeys and birds of prey, come to the Gallery from the different rescues that we support, so I paint them as they pose, while we help them raise money.


EquuStyle:  For 19 years, you have been raising money through the sale of your artwork for horse, donkey, and wildlife rescues across the country, in the region, and in the state of New Mexico. Is this one of the more gratifying aspects of working as an artist?


Barbara Meikle:  Yes! It’s always been easy for me to sell my work because I seem to love to paint and sculpt the things that other people love as well. So be able to give some of that back, to the animals that have inspired me throughout my career, just makes my work more meaningful, not only to me, but to people that collected as well.






 
 

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