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Updated: 5 days ago

Discovering the World of Donkeys: An Artistic Journey


EquuStyle: How did you become interested in painting and sculpting donkeys?


Barbara Meikle: I was born a horse lover. My journey into the world of donkeys began when I had to care for a pair of riding mules. Their intelligence and unique personalities captivated me. A visit to a donkey rescue in Colorado, Longhopes, sealed the deal. I wanted to paint them just as much as I painted horses.


Two colorful donkeys nuzzle affectionately in a vibrant, abstract painting with bold brushstrokes and a turquoise background.
Playful and vibrant, these colorful burros exude an irresistible charm, capturing hearts with their lively energy. 'Getting a Bit Rowdy' Oil on canvas 16'h x 16'w

Capturing Individuality in Art


EquuStyle: Do you aim to portray the individual personality of each animal, or a more general 'essence' of a donkey?


Barbara Meikle: I strive to do a little of both. There are individual traits, like the length of their coat or the dorsal stripe. Yet, there’s also a universal quality—the gentle eye and the tilt of the ear when you’ve caught their attention.


EquuStyle: How does your relationship with donkeys influence the way you portray them?


Barbara Meikle: I focus on the physical differences between horses and donkeys. This distinction is crucial. The angle of the head, the straightness of the back, and the smooth coat versus shaggy fur all matter. My love for them allows me to give them big brown eyes and a mischievous expression, capturing their charm.


Evoking Emotion Through Art


EquuStyle: What feeling or mood do you hope a viewer experiences when looking at your paintings and sculptures?


Barbara Meikle: I hope to evoke happiness! I want viewers to feel joy and beauty, simply absorbing the energy of these wonderful creatures.


Exploring Donkey Artistry: Techniques in Paint and Clay


EquuStyle: How do you think the medium (painting vs. sculpture) changes the way you represent donkeys?


Barbara Meikle: Paintings allow me to be experimental, playing with abstract ideas of color, texture, and movement. Sculpture, however, keeps me grounded in three dimensions. I must get the proportions right from every angle while making it interesting.


Two colorful donkeys in a vibrant, abstract setting. Bright strokes of blue, orange, and pink create a lively, energetic mood.
Stepping Into The Sun, oil on canvas, 30”h x 30”w

EquuStyle: How do you apply impressionist techniques, such as visible brushstrokes and an emphasis on light and movement, to capture the essence of a donkey?


Barbara Meikle: I start with a brush to sketch the subject, then use a palette knife to apply thicker layers of paint. I mix colors and values, using brights and pastels to show movement by losing edges. I often overshoot the color, allowing the background to define the donkey's image.


EquuStyle: Which visual elements—color, light, texture, or form—do you feel take priority in your work, and how does that choice impact the final painting?


Barbara Meikle: All these elements are vital. Color is expressive and emotional; it reflects how I feel about the animal. Light anchors the painting in reality. Texture builds character, while form ensures I accurately represent the donkey or horse, even if I take creative liberties.


Influences, Creative Process, and Challenges


EquuStyle: Are there any other artists, within the impressionist movement or wildlife art community, who have significantly influenced your work?


Barbara Meikle: Many French impressionists, like Monet, Pissarro, and Sisley, have inspired me. Outliers like Manet, van Gogh, and Toulouse-Lautrec also offer valuable insights into subject matter, color, and the artistic process.


Five colorful donkeys in a vibrant, abstract painting. Bright hues of blue, pink, orange, and green create a lively, energetic mood.
These jennies are waiting oh so patiently for their midday meal! 'The Ladies Who Lunch.' Oil on canvas, 24”h x 12”w

EquuStyle: What is your process for creating the work? Do you use photo references, live models, or memory and imagination?


Barbara Meikle: I love painting from life, or "en plein air." I also use photographs from my travels to places like France and Africa. After nearly 50 years of painting and drawing animals, I rely heavily on my imagination.


EquuStyle: What technical challenges did you face when capturing the form or texture (e.g., fur, muscle, movement) of a donkey, especially in sculpture?


Barbara Meikle: Sculpture is a long game. I first create an armature, or skeleton, for the piece, then cover it in clay. It's a constant process of tweaking. I must consider the donkey's confirmation, the length of its ears, and how I place its feet. While I can finish a painting in days, a sculpture can take weeks or months. Once I hand it off to the mold maker, no more changes can be made.


Emotions and Ideas in Art


EquuStyle: What emotions or ideas do you hope viewers take away from your work?


Barbara Meikle: I hope people learn to enjoy the donkeys, horses, and other creatures I paint and sculpt. I want them to see these animals as individuals, just like us.


Passions Driving Her Professional Journey


EquuStyle: How do your interests outside of art fuel your artwork?


Barbara Meikle: I ride horses regularly, which keeps me thinking about how I would paint them. Trail riding exposes me to beautiful landscapes, inspiring my art. Visiting donkey rescues also sparks my creativity as I interact with the animals.


Smiling woman with curly blonde hair, wearing a turquoise necklace and plaid shirt. Bright abstract painting in vibrant yellow and red behind her.
Fine artist Barbara Meikle stands in front of her vibrant abstract painting, wearing a turquoise necklace and a colorful plaid shirt, embodying her creative spirit.

EquuStyle: What do you like most about being an artist?


Barbara Meikle: I love everything about being an artist—the challenges, the freedom, and the joy of creating something unique. I also appreciate being able to earn a living while supporting rescues that I believe in.


EquuStyle: In what ways does living and owning a gallery in Santa Fe impact your art?


Barbara Meikle: Santa Fe is the third-largest art market in the country, after New York City and Los Angeles. Many people come here to collect art. I like to say that New York is about investment, Los Angeles is about trends, and Santa Fe is about heart. People come from all over the world to find something they want to take home and remember their visit to our beautiful city.


Harnessing Creativity for Compassion: Barbara Meikle's Art Supporting Animal Rescues


EquuStyle: What would you like art enthusiasts to know about Barbara Meikle Fine Art?


Colorful sculpture of a purple and orange animal with a bird on its tail, surrounded by potted pink flowers in a garden setting by artist Barbara Meilke Fine Art.
A vibrant sculpture titled 'Hijinks Life-size' is prominently featured in front of Barbara Meikle Fine Art Gallery in Santa Fe, New Mexico.

https://www.meiklefineart.com/artworks/barbarameikle/oil-paintings/donkeysBarbara Meikle: My gallery is a wonderful place to find original work filled with color, emotion, and love. I often paint or sculpt on-site, which is rare these days. We also host live animal events several times a year, featuring donkeys and birds of prey from rescues we support. I paint them as they pose, helping to raise money for these organizations.


EquuStyle: For 19 years, you have been raising money through the sale of your artwork for horse, donkey, and wildlife rescues across the country, in the region, and in the state of New Mexico. Is this one of the more gratifying aspects of working as an artist?


Barbara Meikle: Absolutely! Selling my work has always been easy because I paint and sculpt what people love. Giving back to the animals that inspire me makes my work more meaningful, not just for me but for those who collect it as well.


The Heart of Donkey Artistry


In the world of art, every brushstroke tells a story. Each sculpture captures a moment in time. My work aims to celebrate the unique charm of donkeys and their kin. I want to share their joy and spirit with the world.


As I paint, I often reflect on the bond we share with these animals. They teach us patience, kindness, and understanding. When I create, I hope to inspire others to appreciate these beautiful creatures.


Art has a way of connecting us. It transcends words and speaks to our hearts. Through my work, I hope to foster a deeper appreciation for donkeys and the important role they play in our lives.


A Call to Action for Animal Welfare


I invite you to join me in supporting animal welfare. Whether through art, volunteering, or simply spreading awareness, every effort counts. Together, we can make a difference in the lives of donkeys and other animals in need.


Explore my work and learn more about the rescues I support. Your passion for art can help create a brighter future for these wonderful creatures.


For more information, visit Meikle Fine Art or follow my journey on Instagram and Facebook.






 
 

In the picturesque landscape of Colorado, Richard Rodriguez embarks on a heartfelt artistic journey that combines his passion for horses with a commitment to capturing the essence of rescued horses that have suffered traumas.


An accomplished architect, Richard Rodriguez made the bold decision to follow his heart to become a full-time artist after after completing an enriching program at the Art Students League of Denver. His background in architecture gives him a distinctive viewpoint on form, space, and structure, which he now channels into his art. Employing brushes, palette knives, scrapers, and squeegees with oil paints, Richard crafts abstract shapes blended with realism on canvas or hardwood panels.

"In my paintings, I navigate the space between memories and dreams. Lines within the artworks represent the creases found in vintage photographs."

Richard contends, "Horses have often carried symbolic weight representing power, speed, strength, and even freedom. Yet in modern art they’ve appeared less frequently." For him it is essential to revitalize the portrayal of horses, especially within the context of equine fine art. By showcasing their grace and strength, he hopes to remind viewers of these creatures' longstanding significance and the stories they tell.


An oil painting titled "In Balance" by Richard Rodriguez of three brown rescued horses standing close together against an abstract, colorful background. They're facing slightly different directions.
"IN BALANCE" 36 x 48 OIL BY RICHARD RODRIGUEZ

At the Phippen Museum's 51st Annual Western Art Show and Sale, Richard Rodriguez was honored to be awarded the George Phippen Memorial Foundation Award for his 36 x 48 oil painting titled "In Balance."


A Personal Connection to Rescue


Richard's bond with horses is deeply personal. He adopted two of his three of his horses from the Colorado Horse Rescue (CHR). Possessing a profound admiration and affection for horses, Richard felt compelled to investigate the potential of capturing their essence through the lens of modern art.


While exploring the concept of using the rescued horses at CHR as subjects in his new body of work, Richard found himself wondering — "Does a horse that has been through the traumatic process of rescue lose its symbolic power to inspire?” This question not only reflects on the horses’ past hardships but also emphasizes their potential for transformation and the beauty they can embody in the present.


He also considered, "Can I capture the essence of these horses in their new surroundings and return their natural dignity through modern painting?" 


On a bright afternoon, Richard visited his friend Megan Goheen at Colorado Horse Rescue. The peaceful setting of CHR served as the perfect backdrop for his artistic exploration. This serene environment not only provided him with a picturesque landscape to inspire his creativity but also allowed him to immerse himself in the profound stories of the rescued horses that called this place home.

Abstract painting of a brown and white horse with a black mane on a textured background with the title "Painted" by fine artist and advocate Richard Rodriguez. Neutral tones with splashes of red and black.
"Painted" Oil on Canvas 8" x 8"

"Does a horse that has been through the traumatic process of rescue lose its symbolic power to inspire?”

Richard spent time observing, taking photos, and silently bond with the herd. Instead of brokenness, he found resilience. Instead of despair, he saw peace. Horses of various ages, breeds, and backgrounds were finding safety, comfort, and strength in each other.


Observing the horses interact was enlightening. Each group represented unique relationships, showcasing how the horses comforted each other as they adapted to their new lives. Regardless of breed or age, these animals found joy in simple moments of play, eating, and resting together. Creating art becomes an act of recognition, with each piece serving as a tribute to their ability to inspire and uplift.


"Shadows" Oil on Canvas 12" x 24"


Creating a Visual Legacy


With newfound inspiration from that day, Richard set out to create a vibrant body of work. His goal extends beyond simply painting horses; he strives to convey the emotional journeys he witnessed. His art serves as a reminder that, while the past may shape their experiences, it does not define their worth or potential for joy. Each brushstroke expresses the dignity, spirit, and beauty of these remarkable animals.


His deep engagement with the rescued horses enabled him to infuse each canvas with authenticity and depth, ensuring that each piece resonates with the viewer on multiple levels.


Richard understands that equine fine art has the potential to reshape public perceptions of rescue horses, presenting them as symbols of hope and strength. By sharing their stories, he hopes to foster a culture in which every horse is honored and offered the chance to thrive.


Stories of Rescue on Canvas: Artist Richard Rodriguez Paints Colorado Horse Rescue’s Horses

Honoring the Spirit of Rescue Horses


In this recent collaboration with Colorado Horse Rescue, Richard has created a dramatic series of paintings that acknowledge the vibrant lives of these horses today rather than just their past traumas. This perspective is crucial, as these works shift the narrative from one of suffering to one of resilience and vitality. Ultimately, Richard’s artistic vision is not just about depicting horses; it is about celebrating the vibrant lives they lead today, reminding us all of the beauty that can emerge from adversity.


"Copper Patina is an oil painting by artist and equine advocate Richard Rodriguez of a brown horse walking with its reflection below. Abstract pastel background with green, white, and pink hues. Energetic mood.
"Copper Patina" Oil on Canvas 36" x 24"

Throughout this collection, he captures the essence of their spirit, showcasing their playful nature, their grace in movement, and the bond they share with humans and their environment. Richard aspires for his work to resonate with advocates for horse rescue and collectors of equine fine art alike. By weaving the stories of each horse into his art, he reinforces the notion that every life holds value—regardless of past experiences.


In exhibitions and galleries, Richard’s works invite audiences to reflect on their own perceptions of horses and, by extension, all animals. He hopes to inspire a greater appreciation for the emotional lives of these beings, fostering empathy and encouraging a more humane approach to how society views and treats them.




Future Aspirations


Richard envisions his artistic journey as more than an individual project; it’s a movement aimed at raising awareness about the importance of rescue horses. Many of these horses carry emotional scars, yet those very scars tell powerful stories of resilience and survival.


By sharing these narratives through his art, Richard invites viewers to empathize with the horses' journeys. Each painting serves as a powerful reminder of the collective effort required by advocates to improve the quality of life for these majestic animals.


Final Thoughts on Richard Rodriguez's Mission


In a world often oblivious to the struggles behind closed doors, Richard’s mission provides a fresh perspective filled with hope. By portraying the essence of rescue horses, he preserves their stories and transforms them into symbols of strength and resilience. It is vital that we collectively honor these animals, ensuring that each horse is valued and given a chance to thrive, regardless of its history.



Art Shows & Events


COLORADO GOVERNOR'S ART SHOW

5/3/2025 - 6/14/2025

Loveland Museum

503 N Lincoln AveLoveland, Colorado 80537


PHIPPEN MUSEUM WESTERN ART 51ST ANNUAL SHOW & SALE 

5/24/2025 - 5/26/2025

120 S. Cortez Street

Prescott, Arizona


BROADMOOR ART EXPERIENCE - Live Painting and Sculpting

7/19/2025 - 7/20/2025

Broadmoor

Hotel1 Lake Ave.

Colorado Springs, Colorado 80906


ART ASSOCIATION OF JACKSON ARTS FESTIVAL

7/26/2025 - 7/28/2025

240 S Glenwood St,

Jackson, WY 83001


THE CAWDREY GALLERY

Opening Night Reception: 8/7/2025  

206 Lupfer Avenue Unit 102

Whitefish, MT 59937


ARTS STUDENTS LEAGUE OF DENVER -SUMMER ART MARKET

8/24/2025 - 8/25/2025

200 Grant St.

Denver, CO 80203

Tickets go on sale August 1. Purchase tickets in advance to save time at entry day-of.


ST LOUIS ART FAIR

9/05/2025 - 9/07/2025

225 S Meramec Ave #105

Clayton, MO 63105


COORS WESTERN ART "YOUNG GUNS ART SHOW"

12/18/2025

National Western Complex

4655 N. Humbolt St.

Denver, CO 80216






All images Copyright Richard Rodriguez and rmrstudio.net -all rights reserved. Cannot be reproduced for any purpose without permission from Richard Rodriguez and rmrstudio.net


 
 

The spirited and inspiring life of talented artist, teacher, gallery owner, and former art director William "Bill" St. George 1939 - 2015


"Petit Rhone" is the title of a beautiful oil painting of a heard of white horses charging though water by fine artist William "Bill" St. George.
"Petit Rhone" Oil on Canvas 30" x 40"

Few artists are able to proficiently paint a variety of subjects both in watercolor and oil. William "Bill" St. George confidently painted Boston cityscapes, portraits, floral landscapes, and dynamic horses, often running through water which was a favorite theme of his to capture on large-scale canvases.


St. George liked to share, “I wasn’t always a full-time painter. I worked as an art director and a graphic designer for many years. While doing ads and creating logos was satisfying, my desire was always to paint. On weekends, or any other time I could slip away, I’d paint. I even moved my schedule around to take classes at the School of the Museum of Fine Arts, Boston. Finally in 1991, after the success of my first one-man show, I decided to follow my dream and made the switch from advertising to painting”.


Mediterranean is the title of an Oil on Canvas 36"x 48" of a herd of white horses charging by William "Bill" St. George.
William "Bill" St. George & "Mediterranean" Oil on Canvas 36" x 48"

All along I felt that art chose me and not the other way around. It may sound like a cliché, but it really has given me a way to express my inner feelings and emotions.



"More than anything, I try to give the brightest and purest notes to my color, as if the entire personality of the painting could be found in a single brush stroke. Painting is a process of discovery. Paint, as a medium, lends itself to many surfaces. In a single painting I will use brushes, palette knives, paper towels, any method to get my feelings onto canvas. When I create, paint is the master, and I am its vehicle to the world’s eye.”


"Spain" is a Oil on canvas  36” X 36” by fine artist William "Bill" St. George
"Spain" Oil on canvas 36” x 36”

From a young age, William St. George was drawn to the power and beauty of horses. By fifth grade, his sketchbooks were filled with drawings of them, and when time was available, he rode as often as possible. Now that early love of horses has been translated into powerful paintings that capture the beauty, strength, movement and mythical nature of these magnificent creatures. “You have to know what a horse is, not just the anatomy,” says St. George, “but you need to have a feeling for the spirit of the horse.”


While the love of horses started at a young age for St. George, the animal took a back seat while working inside Boston offices for several decades. During this time, the subject matter was the Boston Public Garden with its Swan Boats and all the surrounding brownstone style buildings. It wasn’t until his fifth grandchild, Sophie, took an interest in horseback riding at the age of five that the artist’s passion for this majestic animal was rekindled. The two would spend hours at the barn taking pictures of the various breeds. These photos would serve as the subject matter for dozens of his later paintings. The more confident St. George became with painting the animal, the larger and brighter the paintings became.


"Halfinger" is the title of an 18” x 24” Limited Edition Giclee Print signed by the late artist William "Bill" St. George
"Halfinger" is an 18” x 24” Limited Edition Signed Giclee Print

You have to know what a horse is, not just the anatomy, but you need to have a feeling for the spirit of the horse.


In 1999 William St. George established the St. George Gallery on Newbury Street in Boston, Massachusetts in a 19th century brownstone building. The same building where John Singer Sargent, the leading portrait painter of his era, once maintained a studio. St. George was both inspired and influenced by Sargent's later landscapes. His gallery received first prize in the storefront category of the Boston Mayor's Garden Contest on several occasions, including three years in a row. According to short article in BostonCatalog.com, he "approached his Gallery's garden with the same imagination and striking use of colors as he does in his paintings."


Impressionist artist William "Bill" St. George in his studio painting two white horses
William "Bill" St. George painting "Vaccares"

For more than 20 years, impressionist painter William "Bill" St. George St. George hosted his own television show "Impressions" on Walpole Cable TV. He taught on location and inspired countless artists and students. St. George’s son Mike said that his father was a lighthearted, encouraging teacher, who told his students not to be afraid, but to dive right in to painting.



Comments posted online by friends, former colleagues, collectors of his work, and former students reveal the depth of their appreciation for his generosity, humanity and talent. One student named Rachel posted, "I can't paint without thinking of Bill. He was a wonderful man and a gifted artist and teacher." A former advertising associate named Paul shared, "Besides painting which came later, Bill was also a great art director to which I owe a debt of gratitude for inspiring me early on in my career."


As the cover artist of Horses in Art in the article "Inspired Brushwork" by Sarah Crampton, St. George shared, "The ability to produce hundreds of successful watercolor and oil painting is most fascinating to me." He also expressed, "Some people might think that working with speed would be a negative for an artist, but I find it a real positive."


"War Horse" is the title of an abstract Oil on Canvas 48” X 36” by American Impressionist William "Bill" St. George
"War Horse" Oil on Canvas 48” x 36”

More than anything I try to give the brightest and purest notes to my color, as if the entire personality of the painting could be found in a single brush stroke.


Painting is a process of discovery. When I create, paint is the master, and I am its vehicle to the world's eye.


Liz Ichizawa, Reporter for The Town Common wrote this excerpt in the Menlo Charity Horse Show Guide, 2005 about the sensations she experienced after viewing St. George's horse paintings:

“You can almost hear the horses snort, chomp and whinny in the oil paintings by William St. George. With thick strokes of luscious color, the artist brought to life not only the horses, but the whole atmosphere in which they move. You can see sunlight and water glinting and almost hear the sound of the wind.”


On February 7, 2024 the Walpole Public Library held and opening reception "Impressions"A Retrospective-William “Bill” St. George, 1939-2015.





Click on any painting above in the article or below in this gallery to be redirected to the painting, giclée or canvas print on the page of St. George Gallery for pricing information and to purchase the artwork.



Media Links:


Awards

  • Special Recognition: “Impressions” - Cable TV producer and host for over 20 years

  • Owner of the St. George Gallery in Boston for over a decade

  • “Who’s Who” in American Art, 2008-2009

  • Menlo Park Charity Horse Show - Artist of the Year, 2005

  • WGBH Two Collection Best of Show, 2005

  • Appeared in The Best of Acrylic Painting, Quarry Books


Corporate Collections:

  • Executive Office of Citizens Bank, Boston, MA

  • The Boston Globe, Boston, MA

  • Mass General Hospital, Boston, MA

  • Blue Cross Corporate Collection, Boston, MA

  • Baupost Group, Boston, MA

  • Colonial Management, Boston, MA

  • Grill 23 Restaurant, Boston, MA

  • The Bank of Canton, Canton, MA

  • Kuhns Brothers Investment Banking, New York, NY

  • Related Urban Development, New York, NY

  • Executive Offices of Ackerley Communications, Seattle, WA

  • The New World Power Corporation, Lime Rock, CT

  • Canadian Imperial Bank of Commerce

  • Office of the Undersecretary of Finance, Nuevo Leon, Mexico






EquuStyleArt & Travel magazine appreciates Mr. Michael St. George, son of the late artist William "Bill" St. George and owner of St. George Fine Art, for providing us with information, awards, and beautiful photographs.

All images Copyright St. George Gallery -all rights reserved. Cannot be reproduced for any purpose without permission from St. George Gallery.


 
 

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