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Updated: Jun 10, 2024

The spirited and inspiring life of talented artist, teacher, gallery owner, and former art director William "Bill" St. George 1939 - 2015


"Petit Rhone" is the title of a beautiful oil painting of a heard of white horses charging though water by fine artist William "Bill" St. George.
"Petit Rhone" Oil on Canvas 30" x 40"

Few artists are able to proficiently paint a variety of subjects both in watercolor and oil. William "Bill" St. George confidently painted Boston cityscapes, portraits, floral landscapes, and dynamic horses, often running through water which was a favorite theme of his to capture on large-scale canvases.


St. George liked to share, “I wasn’t always a full-time painter. I worked as an art director and a graphic designer for many years. While doing ads and creating logos was satisfying, my desire was always to paint. On weekends, or any other time I could slip away, I’d paint. I even moved my schedule around to take classes at the School of the Museum of Fine Arts, Boston. Finally in 1991, after the success of my first one-man show, I decided to follow my dream and made the switch from advertising to painting”.


Mediterranean is the title of an Oil on Canvas 36"x 48" of a herd of white horses charging by William "Bill" St. George.
William "Bill" St. George & "Mediterranean" Oil on Canvas 36" x 48"

All along I felt that art chose me and not the other way around. It may sound like a cliché, but it really has given me a way to express my inner feelings and emotions.



"More than anything, I try to give the brightest and purest notes to my color, as if the entire personality of the painting could be found in a single brush stroke. Painting is a process of discovery. Paint, as a medium, lends itself to many surfaces. In a single painting I will use brushes, palette knives, paper towels, any method to get my feelings onto canvas. When I create, paint is the master, and I am its vehicle to the world’s eye.”


"Spain" is a Oil on canvas  36” X 36” by fine artist William "Bill" St. George
"Spain" Oil on canvas 36” x 36”

From a young age, William St. George was drawn to the power and beauty of horses. By fifth grade, his sketchbooks were filled with drawings of them, and when time was available, he rode as often as possible. Now that early love of horses has been translated into powerful paintings that capture the beauty, strength, movement and mythical nature of these magnificent creatures. “You have to know what a horse is, not just the anatomy,” says St. George, “but you need to have a feeling for the spirit of the horse.”


While the love of horses started at a young age for St. George, the animal took a back seat while working inside Boston offices for several decades. During this time, the subject matter was the Boston Public Garden with its Swan Boats and all the surrounding brownstone style buildings. It wasn’t until his fifth grandchild, Sophie, took an interest in horseback riding at the age of five that the artist’s passion for this majestic animal was rekindled. The two would spend hours at the barn taking pictures of the various breeds. These photos would serve as the subject matter for dozens of his later paintings. The more confident St. George became with painting the animal, the larger and brighter the paintings became.


"Halfinger" is the title of an 18” x 24” Limited Edition Giclee Print signed by the late artist William "Bill" St. George
"Halfinger" is an 18” x 24” Limited Edition Signed Giclee Print

You have to know what a horse is, not just the anatomy, but you need to have a feeling for the spirit of the horse.


In 1999 William St. George established the St. George Gallery on Newbury Street in Boston, Massachusetts in a 19th century brownstone building. The same building where John Singer Sargent, the leading portrait painter of his era, once maintained a studio. St. George was both inspired and influenced by Sargent's later landscapes. His gallery received first prize in the storefront category of the Boston Mayor's Garden Contest on several occasions, including three years in a row. According to short article in BostonCatalog.com, he "approached his Gallery's garden with the same imagination and striking use of colors as he does in his paintings."


Impressionist artist William "Bill" St. George in his studio painting two white horses
William "Bill" St. George painting "Vaccares"

For more than 20 years, impressionist painter William "Bill" St. George St. George hosted his own television show "Impressions" on Walpole Cable TV. He taught on location and inspired countless artists and students. St. George’s son Mike said that his father was a lighthearted, encouraging teacher, who told his students not to be afraid, but to dive right in to painting.



Comments posted online by friends, former colleagues, collectors of his work, and former students reveal the depth of their appreciation for his generosity, humanity and talent. One student named Rachel posted, "I can't paint without thinking of Bill. He was a wonderful man and a gifted artist and teacher." A former advertising associate named Paul shared, "Besides painting which came later, Bill was also a great art director to which I owe a debt of gratitude for inspiring me early on in my career."


As the cover artist of Horses in Art in the article "Inspired Brushwork" by Sarah Crampton, St. George shared, "The ability to produce hundreds of successful watercolor and oil painting is most fascinating to me." He also expressed, "Some people might think that working with speed would be a negative for an artist, but I find it a real positive."


"War Horse" is the title of an abstract Oil on Canvas 48” X 36” by American Impressionist William "Bill" St. George
"War Horse" Oil on Canvas 48” x 36”

More than anything I try to give the brightest and purest notes to my color, as if the entire personality of the painting could be found in a single brush stroke.


Painting is a process of discovery. When I create, paint is the master, and I am its vehicle to the world's eye.


Liz Ichizawa, Reporter for The Town Common wrote this excerpt in the Menlo Charity Horse Show Guide, 2005 about the sensations she experienced after viewing St. George's horse paintings:

“You can almost hear the horses snort, chomp and whinny in the oil paintings by William St. George. With thick strokes of luscious color, the artist brought to life not only the horses, but the whole atmosphere in which they move. You can see sunlight and water glinting and almost hear the sound of the wind.”


On February 7, 2024 the Walpole Public Library held and opening reception "Impressions"A Retrospective-William “Bill” St. George, 1939-2015.





Click on any painting above in the article or below in this gallery to be redirected to the painting, giclée or canvas print on the page of St. George Gallery for pricing information and to purchase the artwork.



Media Links:


Awards

  • Special Recognition: “Impressions” - Cable TV producer and host for over 20 years

  • Owner of the St. George Gallery in Boston for over a decade

  • “Who’s Who” in American Art, 2008-2009

  • Menlo Park Charity Horse Show - Artist of the Year, 2005

  • WGBH Two Collection Best of Show, 2005

  • Appeared in The Best of Acrylic Painting, Quarry Books


Corporate Collections:

  • Executive Office of Citizens Bank, Boston, MA

  • The Boston Globe, Boston, MA

  • Mass General Hospital, Boston, MA

  • Blue Cross Corporate Collection, Boston, MA

  • Baupost Group, Boston, MA

  • Colonial Management, Boston, MA

  • Grill 23 Restaurant, Boston, MA

  • The Bank of Canton, Canton, MA

  • Kuhns Brothers Investment Banking, New York, NY

  • Related Urban Development, New York, NY

  • Executive Offices of Ackerley Communications, Seattle, WA

  • The New World Power Corporation, Lime Rock, CT

  • Canadian Imperial Bank of Commerce

  • Office of the Undersecretary of Finance, Nuevo Leon, Mexico






EquuStyleArt & Travel magazine appreciates Mr. Michael St. George, son of the late artist William "Bill" St. George and owner of St. George Fine Art, for providing us with information, awards, and beautiful photographs.

All images Copyright St. George Gallery -all rights reserved. Cannot be reproduced for any purpose without permission from St. George Gallery.


 
 

Updated: Jun 10, 2024

A rare interview with one of the world's top fine art equine photographers.



"Unicorn" is the title of Tony Stromberg's photograph of a Lusitano stallion taken in southern France.
Unicorn

Where are you from and how does that affect your work?


I grew up all over the west. My dad was a geologist for an oil company, and we moved constantly. 18 homes by the time I was 18. Very nomadic lifestyle, which is probably why I relate so well to the American wild horses… nomadic by nature. Because of all the moving, I became a loner at a pretty

early age. I am sure this has affected my work in many ways. I work best alone. In fact, when I was doing advertising photography, I would go back into the studio after everyone went home at night, and that’s usually when I did my best work. I get distracted when other people are watching and expecting me to perform, to the point where I can’t really focus.


"3 Brothers" by Tony Stromberg is a photograph of Merens breed horses running in a pasture in the Pyrenees region of southern France.
3 Brothers

Who are your biggest artistic influences?


That’s a hard one. There are not specific artists or photographers that I get inspiration from. Rather, I think it is an accumulation of everything I have seen, read, or heard throughout my life that has informed my artistic sensibilities. I also get a lot of inspiration from nature, and being

immersed in nature. I think all good art imitates nature in some way. We live in a very technical world and spend an inordinate amount of time in front of a computer screen or a phone. I think all the technology dampens creativity, and sometimes the best way to connect with our creative self is to unplug from all the technology and sit in silence so we can actually hear ourselves.


"3 Stallions" is the title of Tony Stromberg's photograph of three young stallions in Spain.
3 Stallions

How has your style changed over time?


It’s always a process. When I started doing advertising work, I was all over the map. I did fashion, food, technology, architecture, still life, catalog work, special effects, landscapes, because I didn’t really know who I was and had not defined my creative voice yet. I experimented a lot. I am completely self-trained in photography, and never went to school. I tried by doing, and by making a lot of mistakes, and learning what NOT to do. Over time, my personal style developed, but it took 20 years to find that. I spent years emulating the popular photographers, only to realize this was not me, and it was not coming from within. What I ultimately came to learn was that I had a deep appreciation for lighting.



"Luminious" is the title of a photograph of a beautiful galloping horse taken by fine art equine photographer Tony Stromberg at a guest ranch in northern Idaho.
Luminous

When I teach workshops, I tell people that they are not photographing a horse, they are photographing the light falling onto the horse. It takes a fundamental shift in understanding to really grasp that concept, but it is all about lighting. Photographers start with a black canvas, and we add light. We literally “paint” with light. After 20 years of studio photography, I learned how to “see” light. I am always looking for the light, so to speak. After I shifted my focus to horses, I realized I could take 20 years of experience in lighting and apply it to something I truly loved.


When is your favorite time of day to photograph horses?


Late afternoon, for sure. Magic hour. The last hour of sunlight is the best. In fact, in that late afternoon light, it is hard to take a “bad” photograph.


What motivates you to continue photographing horses?


I just love horses. I was burned out after 20 years of advertising work. I had lost myself after trying to be so many things and trying to please so many people. It’s a long story for another time, but when I started spending time with horses, they showed me a way back to my authentic self, and that was a huge gift to me. My work, I believe, continues to be an “homage: to the horse". I showed my true self to the horses, and in return, they shared with me their true essence, and that is what I try to convey through my work.


How do you define success as a fine art equine photographer?


When I was doing commercial work, it was constant marketing and it always felt like pushing a boulder uphill. When I started working with horses and started building a body of work with my equine photography, doors would open in front of me without much effort. The sense of struggle was gone. The 4 books I have published all came with little effort. When I started teaching workshops, I created them and people signed up, and it’s been going strong even efter 20 years of doing them. I think “success” is being able to do what you love and also make a living at it, without having to commercialize it or change it to fit someone else’s desire. I have a dream job. I travel the world photographing some of the world’s most beautiful horses, in some very beautiful places, and I get paid for it !!!


What have critics and collectors said about your work?


That’s an odd question. People that collect my work do so because it speaks to them on some level, and they love the work. I don’t think I have any critics, and if I do, I don’t really care what they think. At one point in my life, I would do whatever I could to please them, but not anymore. I know who I am, and I know my work has value. If someone does not like it, they do not have to look at it!


Why do you offer workshops and how do you benefit or find meaning from sharing your artistic mastery with other aspiring equine photographers?


Horses a book by Tony Stromberg fine art equine photographer

After my first book was published, along with calendars, people started to ask me if I would do

workshops, so I thought “why not”. I started doing a few in my hometown of Santa Fe, and it just grew from there. I am happy to share my photographic experience. It gives me joy to see people learning what I have to offer them, and I love to watch them grow artistically, and to find their own voice with their equine photography. They come to me because we all have a shared love of horses and photography and want to share our vision with the world. What’s not to like?




Click on the button to see more of Tony Stromberg's equine images

along with his stories behind these gorgeous photographs.





All images Copyright Tony Stromberg Photography -all rights reserved. Cannot be reproduced for any purpose without permission from Tony Stromberg Photography.




 
 

Updated: Jan 14

One of America's great contemporary fine Western Artists


I had the pleasure of meeting Michael Ome Untiedt in 1997, shortly after moving to Colorado. He generously donated an exquisite landscape oil painting to Rocky Mountain PBS for its fundraising event. The next day, Untiedt contacted me to pick up the painting I purchased the night before and to choose a frame. Needless to say, I was very excited to meet the artist who created such a gorgeous work of art.


Oil painting of a horse and rider on a wide trail, passing a structure with a brightly lit landscape in the foreground and storm clouds in the background by Michael Ome Untiedt, master painter of the American West featured in the Premiere Winter 2024 issue of EquuStyle Art & Travel Magazine at equustyle.com
Everything I Every Wanted to Say 24 x 30 oil on panel

Over the years I discovered that Michael Untiedt who is known as a master painter of the American West, is also a master storyteller and there is always a fascinating story behind each piece. One of the reasons I chose to purchase one of his gorgeous paintings during a PBS fundraising event was because of its intriguing title "Gates Open to the Sangre de Christos". Being a newcomer to Colorado, I did not know anything about the mountain ranges or the people who had lived on the land before. As you will discover by clicking each of the images of Michael Ome Untiedt's paintings, there is an enlightening and amazing story!


"Night Herd with Starry Night" is a 24" by 30" oil on canvas by master painter of the American West Michael Ome Untiedt who is featured in the Premiere Winter 2023 issue of EquuStyle Art & Travel Magazine @equustyle.com
Night Herd with Starry Night "24" x 30" oil on canvas

"Night Herd with Starry Night" is a classic Untiedt nocture. The artist's talent for creating these works are often compared to the nocturnes of American painter and sculptor Frederic Remington (1861-1909).


In this scene, Untiedt uniquely captures the peacefulness and subtle colors of a solitary cowboy watching over his herd in the moonlight.


Discover more by clicking on the painting to read Untiedt's story that inspired this remarkable work.


Michael Ome Untiedt's Stories Behind His Paintings


Explore the stunning works of Western fine artist Michael Ome Untiedt and discover the stories behind each breathtaking piece. EquuStyle Art & Travel Magazine is thrilled to share Untiedt's genuine talent and passion for storytelling with our readers.


Click or double click on the center of a painting to open the page where you may discover Untiedt's backstory about his pieces and how they are influenced by the world of the American West. You will experience the beauty, history, and culture of this timeless region.






Galleries where you may purchase paintings by Michael Ome Untiedt


InSight Gallery in Fredericksburg, TX

Cawdrey Gallery in Whitefish, MT

Sanders Gallery in Tucson, AZ

Legacy Gallery in Scottsdale, AZ

The Adobe in Ruidoso, NM



All images Copyright Michael Ome Untiedt -all rights reserved. Cannot be reproduced for any purpose without permission from Michael Ome Untiedt.




 
 

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