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EquuStyle: When did you first become interested in photographing wild horses? What sparked that passion for you? 


Sandy Sharkey: In my early twenties, I was on a trail ride in Alberta’s Rocky Mountains near Banff.  One afternoon, I was lying on my back in an alpine meadow, my trail horse contentedly munching grass beside me.  Suddenly, everything shook- and I jumped up, convinced that I was experiencing an earthquake.  It wasn’t an earthquake.  It was a herd of wild horses, galloping past me on a rocky ridge.  It was over as quickly as it began- and the wild horses disappeared into a forest.  But it was one of the most beautiful things I’d ever seen. 


Wild Alberta Mountain Horses is the title of a photograph by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com
Wild mountain horses traverse the rugged landscape of the Alberta Rocky Mountains, showcasing their strength and resilience amidst the natural beauty of Canada.
At that time, I had no idea that wild horses existed.  My life was forever changed.  I needed to experience wild horses again and again, to capture their essence with my camera, and to share their stories of free spirited resilience.

 EquuStyle: What personal connection do you feel to the wild horses you photograph, and how does this influence your work? 


Sandy Sharkey: I think the most ‘free spirited’ time of our lives, is when we are kids-  before the wide ranging demands of society take root.  Over time, that free spirit of youth is diminished under the weight of responsibility.  When I’m with wild horses, I feel like that 8 year old kid again.  Wild horses are symbolic of freedom, embodying an unabashed free spirit that exists in all of us. 


"Utah Wild Mare and Stallion" is the title of a photograph by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com
A wild mare and stallion share a tender moment on the vast plains of Utah, embodying the spirit of freedom and companionship.

In many ways, connecting with wild horses can reconnect the adventurous soul that we’ve buried through adulthood.  Someone once told me, ‘it’s not how you feel about someone, it’s how you feel about yourself when you’re with that person’.  The same applies to wild horses.  When I’m with these magnificent animals, the awakening of my heart and soul influences my photographic work in a visceral way. 


If one of my images captures the free spirit of a wild horse, creating a beautiful connection between human and horse-  this is much more important to me than a technically perfect photo.  


 EquuStyle: Could you share a memorable encounter with a wild horse that deeply impacted you? 


Sandy Sharkey: There are so many to choose from.  But one encounter stands out. In the spring of 2018, I was photographing wild horses in Utah’s Onaqui range.  One morning, I saw this huge cloud of dust rolling across the desert floor like a scene from ‘Wile E. Coyote and the Roadrunner’.  The trail of dust was created by one scrappy, smallish wild buckskin stallion known as ‘Buck’.  He was covered in battle scars and several wounds were fresh, but nothing stopped him.  Buck was determined to steal the mares from every stallion in sight. 


"Battle Scarred Onaqui Stallion known as Buck" is the title of a photograph by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com
Majestic and resilient, Buck the battle-scarred Onaqui stallion strides across the rugged landscape, embodying the untamed spirit of the wild.

He wasn’t successful that day, and I’m not sure that he was ever successful, but the huge spirit from this small package embodied persistence, true grit, and wild spirit; everything we love about wild horses.  Buck is my horse hero.


 EquuStyle: What initially drew you into wild horse advocacy? 


Sandy Sharkey: When I first started photographing wild horses, it wasn’t long before I began to learn about the challenges they face.  I couldn’t continue to share photos of beautiful wild horses without speaking out and raising awareness about the atrocities of wild horse roundups and the slaughter pipeline. 


"Utah Fiery Boy"  is the title of a photograph by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com
"Utah Fiery Boy" is the title of a wild and free, Onaqui stallion rearing majestically against a backdrop of the rugged Utah landscape.

Along with photographic storytelling, I began to host wild horse retreats and trips to other wild horse areas in the world.  When we see mankind’s treatment of wild horses, and how it differs depending on geographic location, we can better understand and help shape a future where wild horses are protected and respected. 


In the American west, thousands of mustangs have been rounded up by helicopters and removed by the U.S. government, in deference to the demands of public lands ranchers.  The system is broken and the government is resistant to working for meaningful change. 


There are over 60,000 wild horses languishing in holding facilities.  In contrast, cattle ranchers in northern Portugal are accepting of the ‘Garrano’ wild horses.  In Chilean Patagonia, wild horses known as ‘Baguales’ are also revered, and have become a draw for adventurers.  In Mongolia, Przewalski’s horses were extinct from the wild, but due to a successful captive breeding program, they once again roam the Mongolian steppes. 



The wild horses of Canada’s remote Sable Island are 100 percent protected, living wild and free with zero interference from mankind.   We have much to learn regarding mankind’s complex relationships with wild horses.

 EquuStyle: How do you believe your images help to shift perceptions and garner support for wild horses? 


Sandy Sharkey: My goal on social media is to have my wild horse images pack a one-two punch.  Hopefully someone is emotionally drawn into a photo, whether it’s a wild horse portrait, a wild horse family band or an action shot-  and they stick around long enough to read the text that goes along with it. 


My posts can include hard-hitting calls to action-  or they can be sweet or humorous.  I try to mix it up as much as possible, because different people respond to different things.


 EquuStyle: What are some of the biggest misconceptions about wild horses that you aim to dispel through your advocacy? 


Sandy Sharkey: Wild horses are sentient, intelligent, family oriented animals that have earned the right to exist peacefully on the landscape.  Those who profit from usage of public lands have created a false narrative about wild horses being a strain on the ecosystem.  Nothing could be further from the truth. 


Unfortunately the wild horse has become the scapegoat for rangeland damage caused by human activities, particularly public lands ranching.  My wild horse advocacy is rooted in dispelling the false narrative wrongly promoted by special interest groups.


 EquuStyle: As a speaker, when addressing audiences, what are the key messages you strive to convey about wild horses? 


Sandy Sharkey: It starts with instilling the knowledge that wild horses actually EXIST.  I shouldn’t be surprised that most people don’t know that wild horses live in wild spaces around the world.  I had no idea myself-  until that eye opening encounter in the Alberta wilderness so many years ago. 

As a speaker, I always begin by assuming that I’m introducing the wonder of wild horses to someone for the first time.  Following that, my role is to convey wild horses’ precarious relationships with humans, and how we can work together to elicit positive change. 

 EquuStyle: How do you engage and inspire individuals who may have little prior knowledge or connection to these animals? 


Sandy Sharkey: I try to engage people in a way that they can relate.  Storytelling is immensely important.  For example, to wild horses, family is everything.  When wild horse families are ripped apart by tragic helicopter roundups, the stallions, mares and foals desperately call out to each other after being indiscriminately packed into livestock trailers and separated forever.  We can’t begin to imagine the heartbreak.  But we can certainly relate to our own family relationships, and reflect on the tragedy of being separated from a loved one.  


A photograph of a "Wyoming Wild Horse Family" by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com.
"Wyoming Wild Family"

 

EquuStyle: Do you have a story about how your images of wild horses or a speaking engagement directly impacted wild horse conservation or policy?


Sandy Sharkey: In 2023, I was honored to speak at the Wild Horse Conference in Washington DC.  My presentation was titled ‘Storytelling for Change’.  Stories connect us all, and it’s the most powerful way to invoke positive change. 


A photograph of an Alberta Wild Stallion known as 'Maverick' by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com.
Alberta Wild Stallion known as 'Maverick'

To help save wild horses, it’s important for people to have an emotional connection.  Strong storytelling can move mountains.  I love grassroots campaigns powered by the human heart.  I created the hashtag ‘#ButImJustOnePersonSaid300MillionPeople’ to encourage people to listen to wild horse stories and feel moved to act.  Every single voice is a megaphone.  

 

EquuStyle: Who are some individuals who have inspired you in your journey as a photographer and advocate? 


Sandy Sharkey: There are far too many to mention, and I would likely miss someone!  Over the years I’ve been fortunate to work with outstanding people who have dedicated their lives to wild horses.  I’ve stood shoulder-to-shoulder on wild horse ranges with advocates that know the herds and the individual horses, from birth to adulthood to death from old age (it’s always a unique gift when a horse lives wild and free for his/her entire life, which speaks volumes about the high odds of being captured long before that day). 


I’m inspired by the photographers, the writers, the organizers of webinars and rallies, the creators of film and music, and everyone who works tirelessly to ensure that wild horses will run free for generations to come.  And to the members of the public who don’t look the other way-  taking the time to make phone calls, write letters and share posts.  In many ways, they are my greatest source of inspiration.   


 EquuStyle: What inspired you to guide photography tours of wild horses on Sable Island? 


Sandy Sharkey: I want the world to know that a place actually exists, where wild horses are 100 percent protected.  Located 180 miles from Halifax Nova Scotia in the Atlantic Ocean, the grassy dunes of Sable Island are home to approximately 500 wild horses.  Here, they are free to form family bands, give birth, watch their foals grow, and share lifelong bonds with each other, with zero interference from mankind.  The horses are managed by mother nature, living an existence in harmony with the sea.  



Being on Sable Island not only feeds our soul, it restores our hope that one day, all wild horses will be as revered and respected as the wild horses that have survived on this crescent-shaped island for over 350 years.  We must never give up hope.


 EquuStyle: For those interested in supporting wild horse protection, what concrete actions would you recommend they take?


Sandy Sharkey: It’s a good idea to follow wild horse organizations that provide excellent background information, along with current news and suggested calls to action. Here are some respected sources:






It’s important to contact your legislators and ask for humane reform regarding the treatment of wild horses.  Elected officials can’t ignore an army of voices. 


And while the fight to save wild horses is in the category of ‘David vs Goliath’, I prefer to look at it this way: WE are not David, WE are Goliath.  Thankfully, those with empathy and compassion greatly outnumber those who profit from public lands and want the wild horses eliminated.  We just need to stay together and raise our voices. 


Remember: #ButI’mJustOnePersonSaid300MillionPeople 


Wild horses in a grassy field, text reads "But I'm just ONE person," "300 MILLION people," "saveourwildhorses.net."
Elected officials can’t ignore an army of voices.








All images Copyright Sandy Sharkey Photography-all rights reserved. Cannot be reproduced for any purpose without permission from Sandy Sharkey and Sandy Sharkey Photography.

 
 

EquuStyle: What initially drew you to the world of equine art & sculpture?


Sandie Henderson: I have always loved cats, horses and art, and my life seems to have been inextricably linked to these three subjects. 


Bronze horse sculpture with one hoof raised, set against a plain white background. The greenish patina highlights its elegant form.
Bronze sculpture titled "Cavallo," showcasing elegant equine form with a patina finish, measuring 51cm in height, 54cm in width, and 27cm in depth.

I was lucky enough to grow up with both cats and horses, and have many happy childhood memories of making life drawings of them. I didn’t come from an artistic family but my father kept me well supplied with drawing materials and I developed useful drawing skills. Back in those early days sculpture was not yet on my radar, but I was always a fairly hands-on practical person who enjoyed making things. These earlier “making” experiences were valuable when years later I turned to sculpture.


After leaving school I worked as a draughtswoman in engineering and architectural drawing offices, before training for a British Horse Society teaching qualification. For over twenty years I enjoyed a career in the horse industry, teaching riding, training, breeding and judging horses. I’ve also been closely involved with feral cat welfare for many years.


EquuStyle:  Was there a specific horse, experience, or image that ignited your passion for sculpting horses? 


Sandie Henderson:  Two tragic horse related events in 1997/98 formed the catalyst for change that catapulted me into the art world and initiated my journey into sculpture.


“Bacchus” was a charming and incredibly handsome young home-bred colt (Thoroughbred x Cleveland Bay). He was full of joyful exuberance and had amazing presence. He broke his neck in a distressing freak accident at liberty in the paddock. Nothing could be done to save him and I was heartbroken.


Two months later my little cat “Kit” was fatally injured by a young pony that was with me for schooling. Kit was an orphan kitten who lost his feral cat mum when he was only a few days old. I hand reared him and he grew into an amazingly happy and healthy young cat. We shared an incredibly close bond and he was my constant companion. I was devastated by his loss, especially so soon after loosing Bacchus, and I found it impossible to continue with my then lifestyle. I felt the need to step back from the horse industry and immerse myself in the healing power of art. 


The idea of making a sculpture for Kit’s grave became important to me and somehow I knew that I could do it. Never having been a particularly self-confident person and with no previous experience of sculpture, this amount of confidence was surprising and out of character. I enrolled on a short part time sculpture course at a local college, and was taught the basic carving skills that enabled me to carve my Kit sculpture in aerated block. The sculpture has now become a treasured memento of Kit.


I found myself incredibly drawn to sculpture and decided to study the subject in more depth, initially by completing a Foundation Course in Art & Design, followed by a Fine Art Degree Course, specialising in sculpture. Art in general proved to be a wonderful therapy, effectively helping me through a difficult time in my life, and in sculpture I felt I had found my calling.


Horses have always played a major role in my life so after graduation in 2002 it seemed only natural to make Equine Sculpture the primary focus of my art practice.  


EquuStyle:  How would you describe your unique artistic style when it comes to sculpting horses?


Sandie Henderson:  My style is essentially contemporary, though its roots are very much grounded in antiquity. Major influences include Ancient Greek, Etruscan and Tang Dynasty Art.


My aim is to capture the inherent characteristics of the horse, particularly its essential power and dynamic energy whilst in motion. I look for an elemental spirit of the wild that connects my horses to the landscape of their environment.

I continue to be inspired by the striking images in my modern day edition of Xenophon’s “The Art of Horsemanship”, the earliest known written work on training the horse. Xenophon was an Ancient Greek military leader, philosopher and historian, sometimes referred to as the father of horsemanship.


The classic 1766 publication “The Anatomy of the Horse” by George Stubbs is also a wonderful source of inspiration and reference.


Significant contemporary influences include Dame Elizabeth Frink and Marino Marini.


EquuStyle:  Can you talk us through your typical creative process, from initial concept to the finished sculpture?


Sandie Henderson:  My creative process starts with the exploration of ideas. I look through a variety of images, typically in books, magazines, photographs and sketch books, until something inspires me. I also make sketches from life. 


Once the basic concept for the sculpture has been decided on, I select at least one image to use as a general guide. I like to allow freedom for the sculpture to develop fairly organically, resulting in a finished sculpture similar to the guide image but not identical. By allowing for a degree of artistic freedom and licence I am more able to highlight aspects of the horses physique and spirit.


Whether I’m working on a Modelled or a Constructed Sculpture, I start with a very simple armature built from mild steel rod or fencing wire. The armature is bent into the required shape to mirror the stance and action of the horse, then built up with chicken wire to roughly define the form.

Some of my sculptures are made entirely of chicken wire, in which case I just carry on building up the wire until I am happy with the form. 


For a modelled sculpture less chicken wire is used around the armature, then clay or plaster is  added to complete the piece.


EquuStyle:  What materials do you prefer to work with and why?


Sandie Henderson:  To create my equine sculptures I work with a wide variety of materials and processes. Modelling is the process I most often employ, but I also enjoy carving, installation and construction. Whatever sculpture media I’m using I try to work in harmony with my materials rather than being overly dogmatic in my approach.


Modelling:

For modelling I mostly use air drying clay, apoxie-sculpt or plaster. All three of these modelling materials allow me to gently sand back into the almost completed dry sculpture to further refine and enhance the piece. This close “hands-on” approach probably draws on past experience of grooming horses, an activity that I find to be one of the best ways to become familiar with the physique of the horse.


My most successful modelled sculptures usually get cast into foundry bronze and are sold through gallery outlets.

Stone sculpture depicting riders and horses in relief, with a horse head sculpture on top. White background, calm and classical feel.
"After Xenophon" features a carved aerated block on slate, depicting dynamic equestrian figures and crowned with a horse head. Dimensions: 56cm(H) x 90cm(W) x 40cm(D).

Carving:

My earliest carvings were in aerated block (sometimes known as expanded cement), a good and inexpensive carving medium that is ideal for the novice sculptor to use while developing carving skills. More recent carvings have been in soapstone which is not dissimilar in hardness to aerated block, making it the perfect natural stone to progress to after aerated block.


Sculpture Installation:

Sculpture installation enables me to effectively address current issues that interest or concern me. Perhaps my most successful sculpture installation and also my personal favourite is “Finding Zen”, a celebratory piece that pays homage to The Horse. Consisting of wire and slate, it responds to man’s recent more “holistic” interactions with the horse, and references the development of horse based therapies such as Equine Experiential Learning and Equine Facilitated Psychotherapy.


Sculpture of a horse made from black wire, displayed on a white slate platform, encircled by stones. The setting is minimalist and serene.
A graceful wire sculpture of a horse stands poised within a circular arrangement of slate stones on an MDF board, embodying the theme "Finding Zen" with its serene and balanced presence.

Occasionally I am inspired to make artwork that is not horse related. The “Threatened Pollinators Installation” addresses current concerns relating to the use of neonicotinoid pesticides and a decrease in the bee population. 


Construction:

My chicken wire sculptures are made using the construction process. Being essentially very pliable and easily bent into shape, chicken wire is well suited to depicting the physique and action of the horse.


It’s a fairly lengthy but effective process involving weaving wires together and ultimately ensuring that no sharp ends are left! Gloves are essential, together with a selection of pliers. A hammer also comes in useful to assist in defining the shape.


EquuStyle:  How do you capture the movement and spirit of the horse in a static sculpture?


Sandie Henderson:  Spending time with horses, be it through observation, sketching, riding or grooming, is an incredibly effective way to become familiar with the physique, behaviour and spirit of the horse. Direct contact with horses will inform the sculpture, and help to animate it.


EquuStyle:  What are the most rewarding aspects of your work?


Sandie Henderson:  Perhaps my greatest reward is simply my enjoyable lifestyle, with its joint focus on horses and art. I consider myself incredibly lucky. 


Through my work I continue to make valued friendships in both the horse world and amongst the artistic community, and coming into contact with so many lovely horses is a wonderful bonus. 


EquuStyle:  What advice would you offer to aspiring equine sculptors?


Sandie Henderson:  Get to know your subject by spending as much time as possible with horses. 


Go out and sketch horses at rest and on the move. Note their action throughout the different paces, walk, trot, canter and gallop. Observe and absorb horse physique and behaviour. Take photos, 


Look at the work of other artists and note the very many different approaches to equine sculpture.


A basic knowledge of horse anatomy is useful. “The Anatomy of the Horse” by George Stubbs is amazingly informative.


Riding horses is a great way to become familiar with the feel of the horse in action. Once acquired, this inherent “feel” will help to animate the sculpture on an almost instinctive level. Consider taking up riding if you’re not already a rider.


Be aware of structural issues that will effect your horse sculpture (e.g. big body on fine legs). Consider the size and shape of your sculpture and use suitable materials to address the structural issues.


Constantly assess how your sculpture is developing three dimensionally. A revolving modelling stand is valuable in this respect.


Try to work with your materials and not against them, allowing them the freedom to express their inherent qualities. With experience this will become easier.


Specialist training is beneficial and lots of useful advice can be found in books or on-line. Consider enrolling on a sculpture course, take advice from experts and look out for suitable workshops.


Appreciate and capitalise on “happy accidents”. They are a gift from the art gods!


When you’re ready, look for opportunities to exhibit your work. It will be hugely rewarding to see your sculpture on display!


EquuStyle:  What role do you think equine art plays in celebrating and preserving the legacy of horses?


Greenish-blue bronze sculpture of a horse's head on a rectangular base, set against a plain white background. No text or patterns visible.
“Trojan War Horse” Bronze (Blue Patina) Size 16cm(H) x 10cm(W) x 9cm(D)

Sandie Henderson:  Through the ages, equine artists have celebrated and preserved the legacy of the horse by visually representing its historical and cultural significance. They have captured its spirit and beauty and documented its impact on our culture and society. 


Equine art has captured the unique characteristics of specific horse breeds, and served to keep alive the memory of breeds now no longer in existence. In a similar way, horse portraits through the ages have recorded the lasting bond between owners and their beloved companions for generations to come.


Contemporary artists continue to explore equine imagery using a wide diversity of styles and materials and horses remain a relevant and inspiring subject in art and modern day culture.


Perhaps the relatively new medium of Sculpture Installation might effectively be used to highlight current concerns relating to America’s wild horses and burros (perhaps this is already being done?). 


It is good to note that a number of very talented equine photographers are creating stunning images  to address these issues of concern to great effect.


EquuStyle:  Tell us about a particular equine sculpture that holds special significance for you. Why is it important?


Sandie Henderson:  The stunning Horse of Selene sculpture, currently housed at the British Museum, is without doubt my favourite equine sculpture and holds particular significance. I came across this renowned marble piece from the Parthenon, as a first year sculpture student on a visit to London and well remember its tremendous impact. It moved me deeply.


The sculpture depicts the head of one of the horses of the moon goddess, Selene. The horse’s expression, with pinned back ears, gaping jaw and bulging eyes, conveys the intense effort and exhaustion of pulling Selen’s chariot across the night sky.


EquuStyle:  Are you currently working on any projects you’re excited about?


Sandie Henderson:  My tired old studio building sadly reached the end of its days earlier in the year and I have a new studio currently under construction. Whilst the prospect of a new studio is tremendously exciting, being temporarily without a studio has impacted heavily on the development of new work. 


Artist with long hair sculpts a horse model in a studio. Shelves with horse figures and a wall art of a horse in the background.
Equine sculptor Sandie M. Henderson works on a horse sculpture in her former studio, surrounded by artwork and tools of her craft.

However, despite less than ideal conditions two new sculptures are slowly taking shape in my kitchen. One is a small cantering horse and the other, a larger Etruscan themed horse. Both are in air drying clay and when complete they will be cast into foundry bronze, always a very special and exciting process. 


EquuStyle:  What are your aspirations for the future of your art?


Sandie Henderson:  In the immediate future I’m looking forward to the completion of my new studio and having a comfortable working environment once again.


Longer term, I will be seeking out more gallery representation and exploring new creative ideas, processes and materials. 


My particular interest at the current time lies in depicting the spirit of the horse at liberty and its connection to the landscape. I will continue to explore these themes.










All images Copyright Sandie M. Henderson and Carnes Fine Art Gallery -all rights reserved. Cannot be reproduced for any purpose without permission from Sandie M. Henderson and/or Carnes Fine Art Gallery.


 
 

In the picturesque landscape of Colorado, Richard Rodriguez embarks on a heartfelt artistic journey that combines his passion for horses with a commitment to capturing the essence of rescued horses that have suffered traumas.


An accomplished architect, Richard Rodriguez made the bold decision to follow his heart to become a full-time artist after after completing an enriching program at the Art Students League of Denver. His background in architecture gives him a distinctive viewpoint on form, space, and structure, which he now channels into his art. Employing brushes, palette knives, scrapers, and squeegees with oil paints, Richard crafts abstract shapes blended with realism on canvas or hardwood panels.

"In my paintings, I navigate the space between memories and dreams. Lines within the artworks represent the creases found in vintage photographs."

Richard contends, "Horses have often carried symbolic weight representing power, speed, strength, and even freedom. Yet in modern art they’ve appeared less frequently." For him it is essential to revitalize the portrayal of horses, especially within the context of equine fine art. By showcasing their grace and strength, he hopes to remind viewers of these creatures' longstanding significance and the stories they tell.


An oil painting titled "In Balance" by Richard Rodriguez of three brown rescued horses standing close together against an abstract, colorful background. They're facing slightly different directions.
"IN BALANCE" 36 x 48 OIL BY RICHARD RODRIGUEZ

At the Phippen Museum's 51st Annual Western Art Show and Sale, Richard Rodriguez was honored to be awarded the George Phippen Memorial Foundation Award for his 36 x 48 oil painting titled "In Balance."


A Personal Connection to Rescue


Richard's bond with horses is deeply personal. He adopted two of his three of his horses from the Colorado Horse Rescue (CHR). Possessing a profound admiration and affection for horses, Richard felt compelled to investigate the potential of capturing their essence through the lens of modern art.


While exploring the concept of using the rescued horses at CHR as subjects in his new body of work, Richard found himself wondering — "Does a horse that has been through the traumatic process of rescue lose its symbolic power to inspire?” This question not only reflects on the horses’ past hardships but also emphasizes their potential for transformation and the beauty they can embody in the present.


He also considered, "Can I capture the essence of these horses in their new surroundings and return their natural dignity through modern painting?" 


On a bright afternoon, Richard visited his friend Megan Goheen at Colorado Horse Rescue. The peaceful setting of CHR served as the perfect backdrop for his artistic exploration. This serene environment not only provided him with a picturesque landscape to inspire his creativity but also allowed him to immerse himself in the profound stories of the rescued horses that called this place home.

Abstract painting of a brown and white horse with a black mane on a textured background with the title "Painted" by fine artist and advocate Richard Rodriguez. Neutral tones with splashes of red and black.
"Painted" Oil on Canvas 8" x 8"

"Does a horse that has been through the traumatic process of rescue lose its symbolic power to inspire?”

Richard spent time observing, taking photos, and silently bond with the herd. Instead of brokenness, he found resilience. Instead of despair, he saw peace. Horses of various ages, breeds, and backgrounds were finding safety, comfort, and strength in each other.


Observing the horses interact was enlightening. Each group represented unique relationships, showcasing how the horses comforted each other as they adapted to their new lives. Regardless of breed or age, these animals found joy in simple moments of play, eating, and resting together. Creating art becomes an act of recognition, with each piece serving as a tribute to their ability to inspire and uplift.


"Shadows" Oil on Canvas 12" x 24"


Creating a Visual Legacy


With newfound inspiration from that day, Richard set out to create a vibrant body of work. His goal extends beyond simply painting horses; he strives to convey the emotional journeys he witnessed. His art serves as a reminder that, while the past may shape their experiences, it does not define their worth or potential for joy. Each brushstroke expresses the dignity, spirit, and beauty of these remarkable animals.


His deep engagement with the rescued horses enabled him to infuse each canvas with authenticity and depth, ensuring that each piece resonates with the viewer on multiple levels.


Richard understands that equine fine art has the potential to reshape public perceptions of rescue horses, presenting them as symbols of hope and strength. By sharing their stories, he hopes to foster a culture in which every horse is honored and offered the chance to thrive.


Stories of Rescue on Canvas: Artist Richard Rodriguez Paints Colorado Horse Rescue’s Horses

Honoring the Spirit of Rescue Horses


In this recent collaboration with Colorado Horse Rescue, Richard has created a dramatic series of paintings that acknowledge the vibrant lives of these horses today rather than just their past traumas. This perspective is crucial, as these works shift the narrative from one of suffering to one of resilience and vitality. Ultimately, Richard’s artistic vision is not just about depicting horses; it is about celebrating the vibrant lives they lead today, reminding us all of the beauty that can emerge from adversity.


"Copper Patina is an oil painting by artist and equine advocate Richard Rodriguez of a brown horse walking with its reflection below. Abstract pastel background with green, white, and pink hues. Energetic mood.
"Copper Patina" Oil on Canvas 36" x 24"

Throughout this collection, he captures the essence of their spirit, showcasing their playful nature, their grace in movement, and the bond they share with humans and their environment. Richard aspires for his work to resonate with advocates for horse rescue and collectors of equine fine art alike. By weaving the stories of each horse into his art, he reinforces the notion that every life holds value—regardless of past experiences.


In exhibitions and galleries, Richard’s works invite audiences to reflect on their own perceptions of horses and, by extension, all animals. He hopes to inspire a greater appreciation for the emotional lives of these beings, fostering empathy and encouraging a more humane approach to how society views and treats them.




Future Aspirations


Richard envisions his artistic journey as more than an individual project; it’s a movement aimed at raising awareness about the importance of rescue horses. Many of these horses carry emotional scars, yet those very scars tell powerful stories of resilience and survival.


By sharing these narratives through his art, Richard invites viewers to empathize with the horses' journeys. Each painting serves as a powerful reminder of the collective effort required by advocates to improve the quality of life for these majestic animals.


Final Thoughts on Richard Rodriguez's Mission


In a world often oblivious to the struggles behind closed doors, Richard’s mission provides a fresh perspective filled with hope. By portraying the essence of rescue horses, he preserves their stories and transforms them into symbols of strength and resilience. It is vital that we collectively honor these animals, ensuring that each horse is valued and given a chance to thrive, regardless of its history.



Art Shows & Events


COLORADO GOVERNOR'S ART SHOW

5/3/2025 - 6/14/2025

Loveland Museum

503 N Lincoln AveLoveland, Colorado 80537


PHIPPEN MUSEUM WESTERN ART 51ST ANNUAL SHOW & SALE 

5/24/2025 - 5/26/2025

120 S. Cortez Street

Prescott, Arizona


BROADMOOR ART EXPERIENCE - Live Painting and Sculpting

7/19/2025 - 7/20/2025

Broadmoor

Hotel1 Lake Ave.

Colorado Springs, Colorado 80906


ART ASSOCIATION OF JACKSON ARTS FESTIVAL

7/26/2025 - 7/28/2025

240 S Glenwood St,

Jackson, WY 83001


THE CAWDREY GALLERY

Opening Night Reception: 8/7/2025  

206 Lupfer Avenue Unit 102

Whitefish, MT 59937


ARTS STUDENTS LEAGUE OF DENVER -SUMMER ART MARKET

8/24/2025 - 8/25/2025

200 Grant St.

Denver, CO 80203

Tickets go on sale August 1. Purchase tickets in advance to save time at entry day-of.


ST LOUIS ART FAIR

9/05/2025 - 9/07/2025

225 S Meramec Ave #105

Clayton, MO 63105


COORS WESTERN ART "YOUNG GUNS ART SHOW"

12/18/2025

National Western Complex

4655 N. Humbolt St.

Denver, CO 80216







All images Copyright Richard Rodriguez and rmrstudio.net -all rights reserved. Cannot be reproduced for any purpose without permission from SRichard Rodriguez and rmrstudio.net


 
 
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