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Kenneth Peloke, using oil on large-format canvases, views the horse not as a mere subject but as a medium for channeling energy, instinct, and a presence that defies simple representation in paint.

A fine art monochromatic painting by Kenneth Peloke of horses gallop side by side, manes streaming against a plain pale background, creating a sense of motion and power.
Rolling Thunder, 46" x 90" Oil on Paper over Panel

The Aesthetic of the West


Kenneth Michael Peloke (b. 1978) is a contemporary artist residing in the American West. He is renowned for his distinctively stylized, abstract, and frequently hyper-realistic paintings that depict wildlife and cowboy culture. His artworks are characterized by heavily abstracted figures and striking, graphic styles that express the intense emotion of the American frontier.


Peloke has dedicated his career to capturing an elusive essence: the spirit of the American West. Non-representational figurative art resonates profoundly in a home for a reason. When a face is abstracted, the figure becomes universal, transforming from a specific individual to anyone, including you. Emotion resides in the gesture, the color, the weight of the composition, with the viewer contributing the rest.


His horse paintings stand out in the world of equine fine art for their unique monochromatic style and deep emotional resonance. Ken's work captures the essence of horses not just as animals, but as symbols of nature’s raw power and grace. For collectors and horse enthusiasts alike, Peloke’s paintings offer a fresh perspective on equine beauty, blending technical skill with a personal journey that spans decades.


The Early Artistic Journey of Kenneth Peloke


Equine fine artist Kenneth Peloke dressed in black T-shirt and tan Brixton cap stands beside his large-scale monochromatic painting of horse head, calm and serious.
The Artist with "Guardian" 60 x 48, Oil on Panel

Born in rural New York, Kenneth Peloke’s artistic path began under humble circumstances. As the youngest of four children raised by a single mother, Ken’s access to traditional art materials was limited. Instead, he improvised with crayons, pens, house paint, cardboard, and even the walls of his home. This resourcefulness laid the foundation for his creative spirit.


At age nine, Ken’s family moved to Arizona, where private oil painting lessons and a visit to Sedona inspired him to focus on landscapes. Throughout high school, he painted scenes of the natural world, though he often felt disconnected from academic studies. His success in juried art competitions during this time showed early promise.


Ken’s artistic focus shifted in community college toward figure painting and drawing, but frustration with his progress led him to explore graphic design. Although this detour was brief, skills in Photoshop, animation, and photography later enriched his artistic process. At 22, Ken stepped away from art for seven years, a hiatus that ended with the news of his first child. This life event reignited his passion, leading him to abstract painting and eventually to the fine equine art he is known for today.


The Monochromatic Style and Its Impact


Kenneth Peloke’s horse paintings are notable for their monochromatic palette, often using shades of black, white, and gray. This choice strips away distractions, allowing viewers to focus on form, movement, and emotion. The absence of color emphasizes the horses’ musculature, posture, and spirit, creating a powerful visual impact.


This style also reflects Peloke’s personal artistic evolution. His early abstract work, inspired by raw energy and non-subjective forms, informs the boldness of his monochromatic pieces. By combining abstraction with realistic detail, he captures both the physical presence and the intangible essence of horses.


A contemporary artist located in the American West, renowned for his distinctively stylized, abstract, and frequently hyper-realistic paintings depicting wildlife and cowboy culture. His artwork prominently showcases heavily abstracted figures and bold, graphic styles that express the intense emotion of the American frontier.



Peloke creates art in two unique styles: hyperrealistic wildlife and a more abstract, graphic style similar to silkscreen. The piece "Kickstart" belongs to the latter category, where the cowboy icon and the horse are reduced to core elements. He uses oils, Q-tips, paper towels, and drywall scrapers—whatever the piece requires.


Collectors of fine equine art appreciate this approach because it offers a fresh interpretation of a classic subject. Peloke’s paintings invite viewers to see horses not just as animals but as living expressions of nature’s beauty and strength.


Themes and Inspirations in Peloke’s Horse Paintings


Peloke’s work often explores themes of freedom, power, and connection to the natural world. His horses appear dynamic and alive, frozen in moments that suggest movement and emotion. This vitality comes from his deep understanding of equine anatomy and behavior, gained through years of observation and study.


The open fields of Upstate New York, where Peloke spent much of his youth, also influence his art. An area characterized by rich agricultural lands and stunning geography which links to his work when he paints animals in their natural environment.


After relocating to Arizona, he found himself immersed in an entirely new visual experience that was both striking and transformative. This connection to place adds layers of meaning, linking the horses to their environment in a subtle but powerful way. The horses depicted in his paintings are not just subjects but emblematic representations of their surroundings. The subtle yet powerful relationship between the horses and the desert underscores themes of resillience and adaptation, reflecting how life thrives in even the most challenging conditions.


Peloke’s personal story—his early struggles, artistic detours, and eventual return to painting—adds emotional depth to his work. Each piece reflects a journey of discovery and expression, making his horse paintings resonate with authenticity.


Why Kenneth Michael Peloke’s Work Appeals to Fine Equine Art Collectors


A large-scale monochromatic painting by Kenneth Michael Peloke close-up of a horse’s face with long mane covering one eye, calm against a plain light background.
Guardian 66' X 48" Oil on Panel

For collectors, Peloke’s horse paintings offer more than aesthetic appeal. They represent a blend of technical mastery and heartfelt storytelling. His ability to convey the spirit of horses through monochromatic tones sets his work apart in a crowded market.


Collectors often seek pieces that evoke emotion and invite reflection. Peloke’s paintings do this by capturing moments of quiet strength and movement, encouraging viewers to connect with the subject on a deeper level. The limited color palette also makes his work versatile for display, complementing a variety of interior styles.


Additionally, Peloke’s background in graphic design and photography enriches his compositions, adding layers of texture and contrast that enhance the visual experience. This multidisciplinary approach makes his horse paintings compelling additions to any fine equine art collection.


Final Thoughts on Kenneth Peloke’s Artistic Vision


Now in his late 40s, Kenneth Peloke continues to develop his unique style, blending subjective and abstract elements. His recent works reflect a synthesis of his artistic influences and personal experiences, pushing the boundaries of traditional horse paintings.


As Peloke explores new techniques and themes, his work remains rooted in a deep respect for nature and the equine form. This commitment ensures that his paintings will continue to resonate with collectors and horse lovers who value authenticity and emotional depth.



Kenneth Peloke Interview at Gallery MAR - Video by Claire Wiley of Eclectic Brew Productions






Gallery and Business Representation


Collections

Anheuser-Busch Family Collection, St Louis, MO

Wrigley Family Collection, Sun Valley, ID

Taylor Sheridan Collection, Weatherford, TX


Auctions

2023, Coeur d’Alene Art Auction, Lot 197, Utopia (2023)

2024, Coeur d’Alene Art Auction, Lot 322, Greener Pastures (2024)




All images Copyright Kenneth Michael Peloke and PelokeArt.com-all rights reserved. Cannot be reproduced for any purpose without permission from Kenneth Michael Peloke and PelokeArt.com.


 
 
Three colorful donkeys in vibrant shades of purple, blue, and red on a bright yellow background, captured in an expressive painting by Barbara Meilke.
Three vibrantly painted donkeys share a moment of wisdom, embodying the theme "Listen To Your Elders" with colorful expressions and a golden backdrop. Oil on canvas, 12”h x 24”w

The Spark Behind Barbara's Journey


EquuStyle: How did you become interested in painting and sculpting donkeys?


Barbara Meikle: I was born a horse lover, learned all about the donkey when I had to caretake a pair of riding mules. Fell in love with their intelligence and personalities, visited a donkey rescue in Colorado, Longhopes, and was hooked! Wanted to paint them as much as I painted horses…


Two colorful donkeys nuzzle affectionately in a vibrant, abstract painting with bold brushstrokes and a turquoise background.
Playful and vibrant, these colorful burros exude an irresistible charm, capturing hearts with their lively energy. "Getting a Bit Rowdy" Oil on canvas 16"h x 16"w

EquuStyle:  Do you aim to portray the individual personality of each animal, or a more general 'essence' of a donkey?


Barbara Meikle:  I actually try to do a little of both, there are individual traits like the length of coat, the dorsal stripe, etc., and then there is the gentle eye, the tilt of the ear when you’ve caught their attention that seems universal in the donkey world.


EquuStyle:  How does your relationship with donkeys influence the way you portray them?


Barbara Meikle:  I try to capture the physical differences between horses and donkeys because that is a distinction that is important to the physical presence of the horse vs the donkey—the angle of the head, the straightness of the back, smooth coat vs shaggy. My love for them lets me give them big brown eyes, a mischievous expression and the ability charm themselves out of trouble!



EquuStyle:  What feeling or mood do you hope a viewer experiences when looking at your paintings and sculptures?


Barbara Meikle:  Happiness! Joy, beauty, the chance to just absorb a beautiful energy for no reason other than you love that creature.


Exploring Donkey Artistry: Techniques in Paint and Clay


EquuStyle:  How do you think the medium (painting vs. sculpture) changes the way you represent donkeys?


Barbara Meikle:  Paintings give me a chance to be more experimental and play with abstract ideas of color, texture and movement. The sculpture keeps me grounded in the realities of 3 dimensions so I need to get the proportions right from every angle and make it interesting at the same time.


EquuStyle:  How do you apply impressionist techniques, such as visible brushstrokes and an emphasis on light and movement, to capture the essence of a donkey?


Two colorful donkeys in a vibrant, abstract setting. Bright strokes of blue, orange, and pink create a lively, energetic mood.
Stepping Into The Sun, oil on canvas, 30”h x 30”w

Barbara Meikle:  I start with a brush to sketch in the subject and then I usually use a palette knife to scoop up paint and put thicker layers on the canvas. I mix up the colors and the values, using brights and pastels to show movement by losing edges, overshoot the color so I can use the background to cut in the image of the donkey.


EquuStyle:  Which visual elements—color, light, texture, or form—do you feel takes priority in your work, and how does that choice impact the final painting?


Barbara Meikle:  All of these elements are part of my work. The color is are important because it is expressive color. It’s emotional. It’s how I feel about the animal. The light helps anchor the painting in some sort of reality!


I use so much texture because I use a pallet in life and it actually helps to build up the character of the animal as well as the surface of the painting. And form is important because even though I might stray, I still like to get the donkey or the horse or the lion or the zebra correct, in other words I like to make sure that I can draw them well before I paint them.


Influences, Creative Process, and Challenges


EquuStyle:  Are there any other artists, within the impressionist movement or wildlife art community, who have significantly influenced your work?


Barbara Meikle:  All other French impressionists, such as Monet, Pissarro, Sisley, Morisot were important to me. Also, the outliers, such as Manet, van Gogh, Toulouse-Lautrec, and Bonnard, all have things to offer for me in terms of a subject matter color and the process of making art.


Five colorful donkeys in a vibrant, abstract painting. Bright hues of blue, pink, orange, and green create a lively, energetic mood.
These jennies are waiting oh so patiently for their midday meal! “The Ladies Who Lunch.” Oil on canvas, 24”h x 12”w

EquuStyle:  What is your process for creating the work? Do you use photo references, live models, or memory and imagination?


Barbara Meikle:  I love to paint from life, I love to paint "en plein air" as they say, in the open air. I also paint from photographs, as I travel to places such as France, Africa, our national parks, to photograph the wildlife that I want to paint. And lastly, because I have been painting and drawing animals particularly for almost 50 years really, I use a lot for my own imagination.


EquuStyle:  What technical challenges did you face when capturing the form or texture (e.g., fur, muscle, movement) of a donkey, especially in sculpture?


Barbara Meikle:  Sculpture is what I like to call the long game, because you first create an armature, or a skeleton for the piece and then you covered it in clay. And then you just tweak, tweak, tweak, tweak, tweak. You constantly find things you need to change, the confirmation of the animal, the length of years of the donkey, how you place their feet.


I usually do a painting in a few days because I’m fast with painting, but a sculpture can take me weeks or months. You have to keep coming back to it to double check it to make sure that it’s what you want, because once you give the clay sculpture to the mold maker, you can’t make any more changes.



EquuStyle:  What emotions or ideas do you hope viewers take away from your work?


Barbara Meikle:  I just hope people learn to enjoy the donkeys and horses and other creatures I paint and sculpt, for themselves and see them as individuals. In a way, they’re just like us.


Passions Driving Her Professional Journey


EquuStyle:  How do your interests outside of art fuel your artwork?


Barbara Meikle:  I have horses that I ride and they constantly keep me thinking about how I would be painting them, and I do a lot of trail riding so I get to see the landscaping and then once again I’m thinking about how would be painting that landscape. When I visit the donkey rescues I always enjoy the crowds of animals that come around and so that gives me ideas also.


Smiling woman with curly blonde hair, wearing a turquoise necklace and plaid shirt. Bright abstract painting in vibrant yellow and red behind her.
Fine artist Barbara Meikle stands in front of her vibrant abstract painting, wearing a turquoise necklace and a colorful plaid shirt, embodying her creative spirit.

EquuStyle:  What do you like most about being an artist?


Barbara Meilke:  I love everything about being an artist, the challenges, the freedom, the fact that I am creating something that is unique. And I also love being able to earn a living as well as help out some of the rescues that I think are absolutely amazing.


EquuStyle:  In what ways does living and owning a gallery in Santa Fe impact your art?


Barbara Meikle:  Santa Fe is the third largest art market in the country, after New York City and Los Angeles, California, so there are lots of people that come here just to collect art. But I like to say that New York is investment , Los Angeles is trends, and Santa Fe is Heart because people come from all over the world to fall in love with something that they want to take home and remember their visit to our beautiful city.


Harnessing Creativity for Compassion: Barbara Meikle's Art Supporting Animal Rescues


EquuStyle:  What would like art enthusiasts to know about Barbara Meikle Fine Art?


Colorful sculpture of a purple and orange animal with a bird on its tail, surrounded by potted pink flowers in a garden setting by artist Barbara Meilke Fine Art.
A vibrant sculpture titled "Hijinks Life-size" is prominently featured in front of Barbara Meikle Fine Art Gallery in Santa Fe, New Mexico.

Barbara Meikle:  My gallery is a wonderful place to find original work, with lots of color, emotion, and love. I’m often there painting or sculpting, so you can see an artist actually working, which is come to be a rare thing. we also have  live animal events several times a year, where I have donkeys and birds of prey, come to the Gallery from the different rescues that we support, so I paint them as they pose, while we help them raise money.


EquuStyle:  For 19 years, you have been raising money through the sale of your artwork for horse, donkey, and wildlife rescues across the country, in the region, and in the state of New Mexico. Is this one of the more gratifying aspects of working as an artist?


Barbara Meikle:  Yes! It’s always been easy for me to sell my work because I seem to love to paint and sculpt the things that other people love as well. So be able to give some of that back, to the animals that have inspired me throughout my career, just makes my work more meaningful, not only to me, but to people that collected as well.






 
 

EquuStyle: When did you first become interested in photographing wild horses? What sparked that passion for you?


Sandy Sharkey: In my early twenties, I was on a trail ride in Alberta’s Rocky Mountains near Banff. One afternoon, I lay on my back in an alpine meadow. My trail horse munched grass beside me, content and relaxed. Suddenly, everything shook, and I jumped up, convinced I was experiencing an earthquake. But it wasn’t an earthquake. It was a herd of wild horses galloping past me on a rocky ridge. It was over as quickly as it began, and the wild horses disappeared into a forest. But it was one of the most beautiful things I’d ever seen.


Wild Alberta Mountain Horses is the title of a photograph by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com
Wild mountain horses traverse the rugged landscape of the Alberta Rocky Mountains, showcasing their strength and resilience amidst the natural beauty of Canada.
At that time, I had no idea that wild horses existed. My life was forever changed. I needed to experience wild horses again and again. I wanted to capture their essence with my camera and share their stories of free-spirited resilience.

A Personal Connection to Wild Horses


EquuStyle: What personal connection do you feel to the wild horses you photograph, and how does this influence your work?


Sandy Sharkey: I believe the most ‘free-spirited’ time of our lives is when we are kids—before the wide-ranging demands of society take root. Over time, that free spirit of youth diminishes under the weight of responsibility. When I’m with wild horses, I feel like that eight-year-old kid again. Wild horses symbolize freedom, embodying an unabashed free spirit that exists in all of us.


"Utah Wild Mare and Stallion" is the title of a photograph by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com
A wild mare and stallion share a tender moment on the vast plains of Utah, embodying the spirit of freedom and companionship.

In many ways, connecting with wild horses can reconnect the adventurous soul we’ve buried through adulthood. Someone once told me, ‘It’s not how you feel about someone; it’s how you feel about yourself when you’re with that person.’ The same applies to wild horses. When I’m with these magnificent animals, the awakening of my heart and soul influences my photographic work in a visceral way.


If one of my images captures the free spirit of a wild horse, creating a beautiful connection between human and horse, this is much more important to me than a technically perfect photo.


Memorable Encounters with Wild Horses


EquuStyle: Could you share a memorable encounter with a wild horse that deeply impacted you?


Sandy Sharkey: There are so many encounters to choose from. But one stands out. In the spring of 2018, I was photographing wild horses in Utah’s Onaqui range. One morning, I saw a huge cloud of dust rolling across the desert floor, like a scene from ‘Wile E. Coyote and the Roadrunner’. The dust was created by a scrappy, smallish wild buckskin stallion known as ‘Buck’. He was covered in battle scars, and several wounds were fresh, but nothing stopped him. Buck was determined to steal the mares from every stallion in sight.


"Battle Scarred Onaqui Stallion known as Buck" is the title of a photograph by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com
Majestic and resilient, Buck the battle-scarred Onaqui stallion strides across the rugged landscape, embodying the untamed spirit of the wild.

He wasn’t successful that day, and I’m not sure he was ever successful. But the huge spirit from this small package embodied persistence, true grit, and wild spirit—everything we love about wild horses. Buck is my horse hero.


The Call to Wild Horse Advocacy


EquuStyle: What initially drew you into wild horse advocacy?


Sandy Sharkey: When I first started photographing wild horses, I quickly learned about the challenges they face. I couldn’t continue to share photos of beautiful wild horses without speaking out and raising awareness about the atrocities of wild horse roundups and the slaughter pipeline.


"Utah Fiery Boy" is the title of a photograph by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com
"Utah Fiery Boy" is the title of a wild and free, Onaqui stallion rearing majestically against a backdrop of the rugged Utah landscape.

Along with photographic storytelling, I began to host wild horse retreats and trips to other wild horse areas in the world. When we see mankind’s treatment of wild horses, and how it differs depending on geographic location, we can better understand and help shape a future where wild horses are protected and respected.


In the American West, thousands of mustangs have been rounded up by helicopters and removed by the U.S. government, in deference to the demands of public lands ranchers. The system is broken, and the government is resistant to working for meaningful change.


There are over 60,000 wild horses languishing in holding facilities. In contrast, cattle ranchers in northern Portugal accept the ‘Garrano’ wild horses. In Chilean Patagonia, wild horses known as ‘Baguales’ are revered and have become a draw for adventurers. In Mongolia, Przewalski’s horses were extinct from the wild, but due to a successful captive breeding program, they once again roam the Mongolian steppes.



The wild horses of Canada’s remote Sable Island are 100 percent protected, living wild and free with zero interference from mankind. We have much to learn regarding mankind’s complex relationships with wild horses.

Shifting Perceptions Through Photography


EquuStyle: How do you believe your images help to shift perceptions and garner support for wild horses?


Sandy Sharkey: My goal on social media is to have my wild horse images pack a one-two punch. Hopefully, someone is emotionally drawn into a photo—whether it’s a wild horse portrait, a wild horse family band, or an action shot—and they stick around long enough to read the text that goes along with it.


My posts can include hard-hitting calls to action or be sweet or humorous. I try to mix it up as much as possible because different people respond to different things.


Misconceptions About Wild Horses


EquuStyle: What are some of the biggest misconceptions about wild horses that you aim to dispel through your advocacy?


Sandy Sharkey: Wild horses are sentient, intelligent, family-oriented animals that have earned the right to exist peacefully on the landscape. Those who profit from the usage of public lands have created a false narrative about wild horses being a strain on the ecosystem. Nothing could be further from the truth.


Unfortunately, the wild horse has become the scapegoat for rangeland damage caused by human activities, particularly public lands ranching. My wild horse advocacy is rooted in dispelling the false narrative wrongly promoted by special interest groups.


Key Messages in Advocacy


EquuStyle: As a speaker, when addressing audiences, what are the key messages you strive to convey about wild horses?


Sandy Sharkey: It starts with instilling the knowledge that wild horses actually EXIST. I shouldn’t be surprised that most people don’t know that wild horses live in wild spaces around the world. I had no idea myself until that eye-opening encounter in the Alberta wilderness so many years ago.



As a speaker, I always begin by assuming that I’m introducing the wonder of wild horses to someone for the first time. Following that, my role is to convey wild horses’ precarious relationships with humans and how we can work together to elicit positive change.

Engaging Individuals Through Storytelling


EquuStyle: How do you engage and inspire individuals who may have little prior knowledge or connection to these animals?


Sandy Sharkey: I try to engage people in a way that they can relate. Storytelling is immensely important. For example, to wild horses, family is everything. When wild horse families are ripped apart by tragic helicopter roundups, the stallions, mares, and foals desperately call out to each other after being indiscriminately packed into livestock trailers and separated forever. We can’t begin to imagine the heartbreak. But we can certainly relate to our own family relationships and reflect on the tragedy of being separated from a loved one.


A photograph of a "Wyoming Wild Horse Family" by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com.
"Wyoming Wild Family"

Impacting Conservation and Policy


EquuStyle: Do you have a story about how your images of wild horses or a speaking engagement directly impacted wild horse conservation or policy?


Sandy Sharkey: In 2023, I was honored to speak at the Wild Horse Conference in Washington, DC. My presentation was titled ‘Storytelling for Change’. Stories connect us all, and it’s the most powerful way to invoke positive change.


A photograph of an Alberta Wild Stallion known as 'Maverick' by wild horse photographer and advocate Sandy Sharkey as featured in the Fall 2025 issue of EquuStyle Magazine at equustyle.com.
Alberta Wild Stallion known as 'Maverick'

To help save wild horses, it’s important for people to have an emotional connection. Strong storytelling can move mountains. I love grassroots campaigns powered by the human heart. I created the hashtag ‘#ButImJustOnePersonSaid300MillionPeople’ to encourage people to listen to wild horse stories and feel moved to act. Every single voice is a megaphone.


Inspiration from Others


EquuStyle: Who are some individuals who have inspired you in your journey as a photographer and advocate?


Sandy Sharkey: There are far too many to mention, and I would likely miss someone! Over the years, I’ve been fortunate to work with outstanding people who have dedicated their lives to wild horses. I’ve stood shoulder-to-shoulder on wild horse ranges with advocates who know the herds and the individual horses, from birth to adulthood to death from old age. It’s always a unique gift when a horse lives wild and free for his or her entire life, which speaks volumes about the high odds of being captured long before that day.


I’m inspired by the photographers, the writers, the organizers of webinars and rallies, the creators of film and music, and everyone who works tirelessly to ensure that wild horses will run free for generations to come. And to the members of the public who don’t look the other way—taking the time to make phone calls, write letters, and share posts. In many ways, they are my greatest source of inspiration.


Guiding Photography Tours


EquuStyle: What inspired you to guide photography tours of wild horses on Sable Island?


Sandy Sharkey: I want the world to know that a place actually exists where wild horses are 100 percent protected. Located 180 miles from Halifax, Nova Scotia, in the Atlantic Ocean, the grassy dunes of Sable Island are home to approximately 500 wild horses. Here, they are free to form family bands, give birth, watch their foals grow, and share lifelong bonds with each other, with zero interference from mankind. The horses are managed by Mother Nature, living an existence in harmony with the sea.



Being on Sable Island not only feeds our soul; it restores our hope that one day, all wild horses will be as revered and respected as the wild horses that have survived on this crescent-shaped island for over 350 years. We must never give up hope.


Supporting Wild Horse Protection


EquuStyle: For those interested in supporting wild horse protection, what concrete actions would you recommend they take?


Sandy Sharkey: It’s a good idea to follow wild horse organizations that provide excellent background information, along with current news and suggested calls to action. Here are some respected sources:






It’s important to contact your legislators and ask for humane reform regarding the treatment of wild horses. Elected officials can’t ignore an army of voices.


And while the fight to save wild horses is in the category of ‘David vs. Goliath’, I prefer to look at it this way: WE are not David; WE are Goliath. Thankfully, those with empathy and compassion greatly outnumber those who profit from public lands and want the wild horses eliminated. We just need to stay together and raise our voices.


Remember: #*ButI’mJustOnePersonSaid300MillionPeople*


Wild horses in a grassy field, text reads "But I'm just ONE person," "300 MILLION people," "saveourwildhorses.net."
Elected officials can’t ignore an army of voices.





All images Copyright Sandy Sharkey Photography—all rights reserved. Cannot be reproduced for any purpose without permission from Sandy Sharkey and Sandy Sharkey Photography.

 
 

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