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  • Writer: Neda DeMayo & Christina Tsirkas
    Neda DeMayo & Christina Tsirkas
  • Sep 3, 2024
  • 7 min read

A photograph of Spirit, the Kiger mustang stallion who was the muse for the animation team for Dreamwork's 2002 animated film, "Spirit: Stallion of the Cimarron." equustyle.com
Spirit, the Kiger mustang stallion who was the muse for the animation team for Dreamwork's 2002 animated film, "Spirit: Stallion of the Cimarron." Now 29 years young, Spirit still enchants people of all ages from across the globe who visit him at Return to Freedom's American Wild Horse Sanctuary in Central Costal California. Photo: Ondrea Hidley

In 1997, Neda DeMayo founded Return to Freedom (RTF), a national non-profit wild horse conservation organization. In 1998, RTF opened a sanctuary in the rolling hills off California’s Central Coast to give back some of what these wild horses lost when captured. The sanctuary’s precedent-setting focus is in keeping rescued family bands of wild horses intact and educating the public about the diversity, lives, and challenges of these closely bonded sentient beings.


Wild horses enjoying their freedom at Return to Freedom's American Wild Horse Sancturay.  equustyle.com
Return to Freedom’s American Wild Horse Sanctuary provides a forever home for wild horses and burros. RTF protects family and social bands for their lifetime. After the rescue is over, RTF needs your ongoing support to make this possible. Photo: Bari Lee

“I wanted to create a place where people of all ages could experience that horses live in herds…that these herds are made up of smaller family and bachelor bands who suffer immensely, just as we would, when ripped from their families, their freedom, and from everything they know,” Neda DeMayo.


While the majority of Americans are unaware that wild horses still roam some of the most desolate and remote areas in the West, for decades, the American mustang has been fighting for survival on the front lines of a battle over the use of precious natural resources—forage and water.


Long seen by ranchers as an invasive nuisance and competition with their livestock for forage and water, wild horses have suffered brutal persecution. In the 1950s and 1960s, the inhumane treatment they suffered was exposed.


For the past twenty-six years, RTF has been at the forefront of wild horse conservation, identifying and pioneering minimally-intrusive solutions at its sanctuary that can be implemented on the range for long-term herd management to keep wild horse and burro herds wild and free. As a solution focused organization, RTF collaborates with a broad range of stakeholders including advocates, animal welfare organizations, sanctuaries, land owners, diverse associations, agencies and legislators. RTF bases its work on guidance from leading scientists in genetics, ancient DNA research, proven safe and humane fertility control, and regenerative holistic land management.


A photograph of wild horses near a waterhole at Return to Freedom, American Wild Horse Conservation. equustyle.com
The waterhole. Return to Freedom uses regenerative holistic grazing practices at its sanctuary. By imitating natural herd movement of grazers when large predator populations were present, we can restore balance in our ecosystems. By managing under grazing and overgrazing, more water can be absorbed into the root systems- diverse native grasses return, waterholes are healthier, replenished and sustained throughout the seasons. Photo: Meg Frederick Photography

“True conservation is only possible when all stakeholders have a voice and a shared desire to protect a resource. Time has taught us that we conserve what we love, we love what we understand, we understand what we are taught.” Neda DeMayo

Conservation

Return to Freedom, Wild Horse Conservation's work focuses on three main areas:

  • Humane Fertility Control -Population management utilizing a non-hormonal reversible fertility control.  In 1999, RTF was the fourth project in the world to use fertility control on large populations of mares under the guidance of the Science and Conservation Center

  • Historical Herd Preservation- Conservation program to preserve the earliest strains of Spanish mustangs that are at risk of disappearing, such as the Choctaw Indian Pony, Colonial Spanish Mission Horses, early Sorria types as seen throughout various herds including the Sulphur Springs herd. These horses were the foundation of the American mustang and became more diverse as larger breeds came to North America and returned to a natural state over the past few hundred years

  • Regenerative Holistic Land Management


A woman taking photos of wild horses at Return to Freedom Wild Horse Sancturay in San Luis Obispo, California. equustyle.com
Return to Freedom hosts experiential programs and events in nature’s classroom for all ages. Wild horse photo safaris, herd immersion, tours, workshops and more! For more information: https://returntofreedom.org/visit/ Photo: Cathy Wallace

Sanctuary:

Return to Freedom’s American Wild Horse Sanctuary:

  • Intact Family & Bonded Bands-Keeps family and bachelor bands together, from the range to sanctuary or reuniting after capture

  • Wild Horses & Burros-Currently provides sanctuary for 500 wild horses and 50 burros

  • Senior & Special Needs-Currently maintains a senior population of 60 horses over the age of 27

  • Rescue-Has rescued over 2,000 horses independently and through collaborative efforts


Education:

Return to Freedom reaches hundreds of thousands of people through programs, events, multi-media and film.

  • Programs & Events-RTF hosts experiential learning programs at two of its locations, providing private tours, photo safaris, herd immersions, and a variety of equine workshops for hundreds of visitors of all ages each year

  • Herd Immersion & Observation-Visitors learn through sensitive observation in nature’s classroom

  • Regenerative Holistic Land Management-RTF’s natural herd and land management are the foundation of its educational initiatives

  • Volunteering-RTF has a volunteer program, including an “In Residence” option for volunteers who want to help at the sanctuary for an extended period

  • Native Species-RTF educates that the horse is native to North America


Advocacy:

Return to Freedom has developed a unique, nationally respected voice on policy issues by advocating for humane, science-based wild horse management alternatives rooted in its decades of hands-on experience with hundreds of wild horses.

  • Ending Roundups-RTF advocates for the redirection of funds spent on expensive and traumatic roundups toward viable and minimally intrusive alternatives that would enable wild horses and burros to remain on their rangelands

  • Fertility Control-RTF continues to tirelessly advocate for the use of non-hormonal, reversible, proven safe and humane fertility control on the range for wild horses and burros. Fertility control was initially mocked by the BLM and other stakeholders, but RTF persevered, advocating that slowing down—not ending—reproduction, was a viable alternative to endless roundups and warehousing tens of thousands of once wild and free horses and burros

  • Selective litigation

  • Ending Horse Slaughter-RTF is a leading voice in the fight to permanently ban horse slaughter in the United States as well as the export of American horses for slaughter


A small herd of wild horses grazing on a hillside at Return to Freedom, Wild Horse Conservation.  equustyle.com
Hart Mountain Herd. Photo: Cathy Wallace

“The BLM needs a proud vision for America’s mustangs,” says Celeste Carlisle, RTF biologist. “The BLM has the tools but needs to nourish a culture shift to achieve a non-lethal, multi-faceted approach to manage healthy herds on healthy rangelands across the West. The antiquated and traumatic capture and removal policies are treacherous, inhumane, and are not a long-term solution. The battle over the use of our public land grazing and water resources is not about how many livestock versus how many horses but rather how grazing is managed on the land.”


RTF has embraced holistic regenerative grazing practices at its sanctuary and considers these practices critical to addressing the impact from climate change and long-term solutions on the range.



“Mustangs have long been the scapegoats for the mismanagement of public land grazing,” explains DeMayo. “Whether grazing livestock or wild horses, if we implement holistic management practices, grazing mammals are part of the solution not the problem. At the sanctuary we have been able to take overgrazed and under-grazed areas and, in just 3 years, restore diversity in insects, wildlife, grasses, legumes, and increase the duration of water holes.”


In addition to its advocacy work, RTF continues to execute large-scale rescues to further its original mission of keeping family bands intact.


Most recently, in December 2023, in collaboration with colleague organizations,  RTF rescued 46 members of the Alpine herd that were removed from their home in the Apache National Forest in Arizona. The captured horses ended up at an auction in Bowie, Texas, where thousands of horses are purchased by kill buyers and sent to Mexico for slaughter.


Since arriving at RTF’s sanctuary in Lompoc, California in 2024, 11 Alpine foals have been born, bringing the total number rescued to 57. RTF is now responsible for the lifelong care of these magnificent animals, which is as costly as it is rewarding. Working collaboratively, in 2023- 2024, RTF also rescued 20 burros at risk of being sold for slaughter.



Sponsorships not only help offset the cost of these large-scale rescues, but also allow RTF to continue its mission of conserving America’s wild horses in the long run so that future generations will be able to see them running free on our public lands.


Please consider sponsoring a horse, burro, or herd. Sponsorships also make great gifts all year long!  With your support, these animals will be able to live out their lives as close to free as possible alongside their family bands.


If you are interested in visiting RTF, sign up for a tour, workshop or program.


To learn more about RTF, visit ReturnToFreedom.org.


THE ISSUE


Public pressure led to the passage of the Wild and Free-Roaming Horses and Burros Act at a time when herds were vanishing.


The 1971 law handed oversight of wild horses and burros mainly to the Bureau of Land Management (BLM). The agency set a maximum population target of 26,785 wild horses and burros — fewer than 1,500 more than when the law was enacted out of concern for their survival — on Herd Management Areas in 10 Western states.


The BLM operates under a mandate that it manages our public lands for “multiple uses.” These include other wildlife, energy extraction, recreation and the grazing of private livestock that greatly outnumber wild horses.


For decades, the agency has failed to control wild herd numbers by using helicopters to chase horses and burros into trap sites before shipping them away from their home ranges.


The BLM has chosen not to use a tool that Return to Freedom and a majority of wild horse advocates and other rangeland stakeholders now support: proven, safe and humane fertility control. Used right, it would slow reproduction.


The BLM says it will use fertility control, but only after it reaches its population targets. Population modeling by ecologists shows fertility control must be implemented immediately if capture-and-removal is to ever be phased out.


Over the past five years, the BLM removed 57,997 wild horses and burros from the range while treating and releasing with fertility control just 4,936.


In March, the BLM estimated 73,520 wild horses and burros still roamed the ranges that the agency manages.


Tragically, nearly as many—63,000 captured wild horses and burros—are being warehoused in overcrowded corrals or on leased pastures at an ever-growing cost to taxpayers of more than $109 million annually.




WILD HORSES ARE NATIVE TO NORTH AMERICA

Wild horses are a reintroduced native wildlife species. The horse originated in North America 53 million years ago and went through all its adaptations, including its last adaptation leaving the world the one toed horse, Equus Caballus, on this continent.  Over millions of years, in an ongoing migratory journey across the Bering Land Bridge, the horse travelled throughout Eurasia, across the Iranian Plateau and dispersed throughout the world.

DNA evidence shows that the horse remained in North America at least as recently as 5,000 years ago. How they disappeared — if, in fact, they ever actually became extinct here — is a mystery. When Cortez landed in Mexico in 1519, he brought horses from Spain. Others followed. From these reintroduced animals came the great numbers of wild horses that eventually changed the culture of the Plains Indians. The Spanish horses soon adapted to the same ecological niche their native relatives had once thrived in. Long before the early settlers pioneered the West, the wild horses were already there as a reintroduced, fully adapted wildlife species.











EquuStyle Art & Travel magazine thanks Neda DeMayo, Founder and President, Return to Freedom Wild Horse Conservation and Christina Tsirkas, writer and wild horse advocate for their comprehensive article, beautiful photographs by professional photographers, and the holistic regenerative grazing video.


All images copyright Return to Freedom, Wild Horse Conservation -all rights reserved. Cannot be reproduced for any purpose without permission from the professional photographers or Return to Freedom, Wild Horse Conservation.


Updated: Jun 10, 2024

Sandy Sisti advocates for the innate wildness of all animals and their need to be free


A photograph by wild horse photographer and advocate Sandy Sisti of the wild mustang stallion, Mesquite, surveys the grand landscape of McCullough Peaks Herd Management Area outside Cody, Wyoming
"The Black Stallion" The wild mustang stallion, Mesquite, surveys the grand landscape of McCullough Peaks Herd Management Area outside Cody, Wyoming

EquuStyle:  What is it about wild horses that captivates you?


Sandy Sisti: Initially, I was taken in by their beauty. All horses are beautiful, but there’s just something about the wild ones. No matter how many times I see wild horse herds gallop past, their beauty alone never fails to bring me to tears. Once I began spending time with wild horses, I found that it was their toughness and their incredible ability to survive in the toughest of circumstances that really captured my heart.


EquuStyle:  Can you describe what it’s like to spend time wild horses?


Sandy Sisti: There’s nothing quite like spending time with wild horses. I find the experience to be very peaceful. When I’m upset about something, spending time with wild horses always makes me feel better. They really do have a calming influence. Most wild horses in Wyoming live in areas that are difficult to access, so you’re usually alone with the horses and I really enjoy that type of solitude.


A photograph by wild horse photographer and advocate Sandy Sisti of a cute little colt was born in early September 2021 to the mare, Theya, and her band Stallion, Tahlequah. Like all newborns, he barely left his mother’s side, but that will change as he gets older.
"Lean on Me" This cute little colt was born in early September 2021 to the mare, Theya, and her band Stallion, Tahlequah.

EquuStyle:  How did you come up with name of Wild at Heart Images?


Sandy Sisti: I always liked the phrase “wild at heart”, especially after reading Tennessee Williams “A Prayer for the Wild at Heart…” while in college. To me it captures the idea of wanting to do something out of the norm, something that isn’t expected of you. The phrase also reminds me of the innate wildness of all animals and their need to be free. Now that I’m focused on wild horse photography and advocacy, the name really seems to fit.


EquuStyle:  How did growing up on Long Island influence your craft?


Sandy Sisti: Although there wasn’t much wildlife where I grew up, I always had a camera in hand and photographed whatever animals were around. This included our family pets, along with butterflies, birds, small mammals, and the turtles that frequented our local ponds. Once I started driving, Heckscher State Park and Jamaica Bay Wildlife Refuge were two of my favorite spots for photographing whitetail deer and birds. Although I didn’t go there often, the Bronx Zoo was my favorite place to visit as it exposed me to nature and wildlife that I would never see in my neighborhood.


EquuStyle:  Did you grow up with or around horses?


Sandy Sisti: Unfortunately, I didn’t grow up around horses, but was always crazy about them. I grew up in suburban Long Island, and there weren’t many, if any, horses in the area. My best friend attended horse camp one summer, but my mom wouldn’t allow me to go with her because she was worried that I’d get injured. I did finally start riding, but not until I was an adult.


A photograph by Sandy Sisti wild horse photographer and advocate of when you hear the sound of whinnying and thundering hooves and see a cloud of dust appear on the horizon, you know a herd of horses is galloping past.
"Summer Thunder" When you hear the sound of whinnying and thundering hooves and see a cloud of dust appear on the horizon, you know a herd of horses is galloping past.

EquuStyle:  Did you ever formally study photography? If so, where? 


Sandy Sisti: I never formally studied photography, but always considered photography one of my favorite hobbies, even as a child. When I was attending SUNY Stony Brook as an undergraduate, I was a fine art major (drawing, painting) before switching my major to Biology/Biochemistry. After working in the sciences for many years, I returned to the fine art field as a photographer.


EquuStyle:  How was your professional career impacted after being published in National Geographic and National Geographic Kids magazines?


Sandy Sisti: At the time of these publications, I was mainly focused on wildlife photography in the Greater Yellowstone Ecosystem. Being featured by National Geographic helped me to become more well known as a photographer and led to more clients using my work for print publications.


EquuStyle:  What was your experience like when you were honored by The Smithsonian for your image “Surveying the Kingdom”?


Sandy Sisti: It was an incredible honor for my work to be recognized alongside many of the nature and wildlife photographers I looked up to at the time. I visited the Smithsonian a few years prior to receiving this award and made a point to see the Nature’s Best Photography/Windland Smith Rice International Awards exhibit. Even then, I never thought a picture I had taken would ever hang in the Smithsonian. It’s still unbelievable when I think about it.


"Battle at Red Rock" is a photograph by Sandy Sisti wild horse photographer and advocate. The pinto stallion, TNT Dynamite, lunges at band stallion, Kiamichi, as they near the edge of a steep cliff.
"Battle at Red Rock" The pinto stallion, TNT Dynamite, lunges at band stallion, Kiamichi, as they near the edge of a steep cliff.

EquuStyle:  Which creative individuals have most influenced your work?


Sandy Sisti: When I began pursuing photography seriously, I focused mainly on wildlife photography. At that time, world-renowned nature and wildlife photographer, Thomas D. Mangelsen, was my greatest influence. I studied his style and incredible body of work and was really taken with his images of grizzly bears. Grizzly bears became my favorite subject, as well, and I spent more than ten years focused on bears, as well as, the other megafauna living in the Greater Yellowstone Ecosystem.


At the same time, I was also photographing the McCullough Peaks wild horses, who would eventually become the main focus of my photography. The incredibly talented and internationally recognized horse photographer, Carol Walker, was a big influence on my photographic work with wild horses. Over the years, Carol became a cherished friend. These days, I continue to look up to Carol, not only in her work as an amazing artist, but as a powerful and unwavering advocate for wild horses.


"Black Beauty"  is a photograph by Sandy Sisti wild horse photographer and advocate. Frigid temperatures and frozen fog make foraging difficult for the horses in winter. This mare, known as Black Beauty, kept busy hunting for dried grasses under the deep snow.
"Black Beauty" Frigid temperatures and frozen fog make foraging difficult for the horses in winter.

EquuStyle:  Do you have a safe distance that you maintain when photographing wild horses? 


Sandy Sisti: The requirement at McCullough Peaks is to stay at least 300 feet from the wild horse herds, and I do my best to comply with that. I usually don’t get any closer than 100 feet to any other of the more approachable wild horses. Many of the wild horses in Wyoming, run off when they hear a vehicle approach, so I photograph them from my vehicle or from a great distance with a super telephoto lens.


EquuStyle:  Have you ever found yourself in a precarious situation with a wild horse?


Sandy Sisti: In all the years I’ve been photographing wild horses, I’ve never found myself in a precarious situation.


EquuStyle:  Why is advocating for wild horses important to you?


Sandy Sisti: If we don’t continue to advocate for wild horses, in time there will be no more wild horses on our public lands, only livestock. This year, the Bureau of Land Management (BLM) plans to remove more than 10,000 wild horses from public land with the majority of these horses moved to long-term holding facilities where they will live out the rest of their lives.


"Thunder and Lightning" is  a photograph by Sandy Sisti wild horse photographer and advocate. Lead mare, Taboo, guides her band to a nearby draw as a fast-moving thunderstorm hits the range.
"Thunder and Lightning" Lead mare, Taboo, guides her band to a nearby draw as a fast-moving thunderstorm hits the range.

Currently there are more than 60,000 once wild horses stockpiled in long-term holding. If the BLM has their way, this eradication of wild horses will continue. I don’t want to live in a world without wild horses and I know I’m not alone. That’s why I continue to advocate for them.


EquuStyle:  Do you believe social media posts are effective for changing the hearts and minds of people about the need to protect wild horses? 


Sandy Sisti: Social media is a very effective tool to help educate people about the plight of our wild horses. The majority of Americans have never seen wild horses and many don’t even know they exist.


Through the use of social media, we can inform people about the BLM’s terrible mismanagement of our wild horses. In time, many of these people will begin to care about the wild horses and some may eventually become advocates. I’ve seen this happen many times thanks to social media.


 "God of Thunder" is a photograph by Sandy Sisti wild horse photographer and advocate. The stallion, Thor, postures towards a rival stallion intent on stealing his mare, Shakira.
"God of Thunder" The stallion, Thor, postures towards a rival stallion intent on stealing his mare, Shakira.

EquuStyle: How has your influence on social media helped with fundraising and motivating people to take action?


Sandy Sisti: I believe that the more people learn about the McCullough Peaks wild horses, the more they care about them.


Sharing stories and photos of these horses on social media gets people involved in their lives and over time they develop a real affection for them. The deep feelings people have for the McCullough Peaks wild horses motivates them to want to help them when they can, with donations, petition writing, etc. Many people who contact me about the McCullough Peaks wild horses have never seen them, but they know everything about them and care about them just as much as I do. Without social media, I don’t think this could happen.


EquuStyle: What would you like people to know about the McCullough Peaks wild Mustangs?


Sandy Sisti: The McCullough Peaks herd is a small population of wild horses that have been effectively managed with PZP immunocontraceptive vaccine since 2011.  Thanks to the use of PZP, their average yearly population growth rate has held at 2% for the last ten years. Because of this, there had been no roundups since a 2013 bait trapping operation where 20 young horses were removed.


"Ice Dancer" is a photograph by Sandy Sisti wild horse photographer and advocate. Graceful as a dancer, the black stallion, Chippewa, makes his way through the fresh snow early on a December morning.
"Ice Dancer" Graceful as a dancer, the black stallion, Chippewa, makes his way through the fresh snow early on a December morning.

During the winter of 2023/2024, the BLM initiated a bait trapping operation at McCullough Peaks and permanently removed 40 horses aged from 4 months to 15 years. During the removal of these horses, nursing foals were taken from their mothers, families were torn apart, bloodlines were expunged and horses were injured. One horse, a yearling filly named “Kat Ballou” died from acute head trauma after running into the side of a holding pen while in the care of the BLM.


Now, more than two months after the conclusion of the bait trapping, the McCullough Peaks horses are still in disarray after the traumatic removal of their longtime family members. Although I’m heartbroken about what happened at McCullough Peaks, this happens every time the BLM rounds up and removes wild horses from their rangeland homes. The BLM destroys the horse’s families and the tight bonds that have been formed over many years of living together. In time, the McCullough Peaks wild horses will adjust as best they can to their new circumstances, but we can’t forget what happened to them as we continue our fight for not only the McCullough Peaks herd, but all the wild horses

.

EquuStyle: Are there particular horses in the McCullough Peaks herd that you have come to know and they recognize you?


Sandy Sisti: I’ve spent thousands of hours with the McCullough Peaks wild horses in the 15 years I’ve been observing and photographing them. I don’t only photograph the horses when I visit, but I talk to them too. Because I’m an almost constant fixture on the range, I believe that many of the horses recognize my voice and scent. It would only seem natural that they would.


A photograph by Sandy Sisti wild horse photographer and advocate of "Stormborne. The stallion, Washakie, rears up to protect his newly acquired family from curious bachelor stallions.
"Stormborne" The stallion, Washakie, rears up to protect his newly acquired family from curious bachelor stallions.

EquuStyle: What do you believe is the best way for people to advocate for wild horses?


Sandy Sisti: One of the best ways to advocate for wild horses is to contact your U.S. Representative and U.S. Senators to inform them about the plight of our wild horses. The only way to truly protect our wild horses is for Congress to enact new legislation to protect wild horses and limit the grazing of private livestock on public lands.








Freedom for Wild Horses with Carol Walker Podcast

Saving the McCullough Peaks Herd: Interview with Sandy Sisti




All images Copyright Sandy Sisti and Wild at Heart Images -all rights reserved. Cannot be reproduced for any purpose without permission from Sandy Sisti and Wild at Heart Images.


Updated: Jun 10, 2024

How Moving to the West and Wild Horses Have Influenced Her Paintings


An oil painting of three wild horses with a large thundercloud and storm approaching by award-winning wildlife and wild horse painter Melody DeBenedicitis.
High Plains Glory 24" x 30" Oil on Gallery Wrap

EquuStyle: Where did you move from? And, how does living in the West affect your work? 


Melody DeBenedictis: I grew up in Florida, and from there made my way up to South Carolina, North Carolina in the mountains and a short time in the Tennessee mountains before making my move west. The landscape of the west is incredibly inspiring by its vastness. The smells, the sights, the sounds… it's an incredible experience that keeps drawing you in to the wild.



An oil painting of mountain lion perched on a limb of a tree by award-winning wildlife and wild horse artist Melody DeBenedicitis.
Tree Hugger 36" x 48" Oil on Canvas

EquuStyle: How would you describe yourself as an artist?


Melody DeBenedictis: I have been called prolific. I would say that I am disciplined and motivated.  Having two galleries teaches a great discipline to just paint. I used to wait for this euphoric high, and would be up for days straight painting.  As I had a retail gallery, early on it taught me the value of discipline.  Even if I wasn’t ‘feeling it’…I learned over those early years, that if I would just ‘show up’ at the canvas, whether I felt it or not, the creative would come as the brush hit the canvas. It's been a liberating experience to know that as I show up, so does the creativity within.  The motivation, that comes from the work itself, knowing the work is created in hopes of bringing positive change as each painting tells the story of our wild land, wildlife and the wild mustang.


EquuStyle: How do you hope to evolve as an artist? 


Melody DeBenedictis: Constantly growing in skill level. My work has come a long way over these 14 years. I paint on an average of 5 or 6 days a week. I have purposely not used aids, such as grids or projectors in my work. I have desired to continually push my skill level, working from eye to hand to canvas.


I have a greater understanding of the art industry itself, though that is constant ebb and flow, and am always learning. Staying flexible is essential to success. If we become rigid as an artist, it can limit our growth creatively and from a business perspective. I always say, ‘I don’t want to be famous, I just want to be rich’.  Obviously I am not there yet, Lol…  it takes money to do great exploits.  Can I be happy if I don’t reach a level of fame, of course, but I paint to bring change. So of course the money would give me a greater ability to ‘give’ in ways that I would love to help in so many ways.


An oil painting of a small band of wild horses drinking from a pond by award-winning wildlife and wild horse painter Melody DeBenedicitis.
At Copper Pond 30" x 30" Oil on Canvas

EquuStyle: Which artists have influenced your work the most?


Melody DeBenedictis: There have been many, but over the last few years, I would say Mark Maggiori has captured my attention, as he has many others. His work is amazing and he has reached a level of ‘fame’ in his work that gives him the freedom to do what he desires to do around his business and his work. 

I think when musicians, artists, other creatives reach a level of fame, opportunities open to drive the direction they want to move in. Art is fickle, so pleasing your audience while staying true to ourselves in our craft is always a challenge. As I watch other artists, it's not just the work they create, or the skill level of their craft, but I watch to learn. To learn how to be a better business person along with constantly working to increase my creative skill level.


An oil painting of a wild stallion in front of a large thundercloud by award-winning wildlife and wild horse painter Melody DeBenedicitis.
Wide Open Wild 24"x 30" Oil on Canvas

EquuStyle: What is it about the West that most informs your paintings?

 

Melody DeBenedictis: Well, obviously wild mustangs are foremost. The grandeur and size of our western frontier is always desirable to paint the landscape as much as the wild mustang and wildlife. Light play is a huge factor in creating compelling art. 


Composition is next on my list. And, I love color.  When you travel across the west, it’s the diversity of the range that is moving. You have the desert, the plains, the mountains, the big skies above. Depending on the season, it literally comes alive; even the smallest rainfall can bring vivid life to the landscape.


I would hope that my work showcases the beauty of our western landscape, and the wild that call it home. I feel extremely fortunate that I get to do what I do, see what I see, experience what I experience, and then come back to the studio and recreate those experiences on canvas to share with the general public, giving them the opportunity to enjoy the wild in their own home.


EquuStyle: Where will you be traveling to take reference photos or paint on location during the coming months?


Melody DeBenedicitis: We’re in conversation about that even now, lol.  I am looking to go north into Wyoming and perhaps up into Montana before shooting back down home into Colorado. There are several roundups of wild mustangs which are very disruptive to herds, family bands and even the land itself, the timing of planning may be interrupted depending on where we choose to travel. That conversation is on to make some decisions on where to go.


An oil painting of a rearing wild stallion by award-winning wildlife and wild horse painter Melody DeBenedicitis.
Storm A Comin" 30" x 40" Oil on Canvas

EquuStyle: Are there particular wild horses that you have come to know and enjoy painting?  


Melody DeBenedicitis: I love the Sand Wash Basin of Colorado, of course because that was my first introduction to wild mustangs and to wild lands. But Wyoming, the Dakotas, areas of New Mexico, Nevada are also favorites on my list of favorites.


EquuStyle: What is the story behind “Meteor, Stallion of the Sand Wash”?


Melody DeBenedicitis: Meteor has a special place on the basin as he is the only of his color. After losing ‘Picasso’ who was known worldwide, it will be interesting to see which stallion is next to reach the acclaim that Picasso did.


Meteor has a beautiful color and countenance on the range.  He remains a bachelor stallion at present, it will be fun watching as he continues to mature to see how he does as a stallion with his own band of mares. To date, he seems content running  as a bachelor with his guy friends, lol.


EquuStyle: How has the work of wild horse advocates, such as Ginger Kathrens of The Cloud Foundation and wild horse photographer and advocate Carol J. Walker impacted your work?


Melody DeBenedicitis: We can learn a lot from them. They have been in the field a very long time. Ginger is a wealth of information as she has dealt with the BLM (Bureau of Land Management) for years.  Her documentation of herds and input is invaluable for the preservation of our wild herds. 


Carol , I met early on as well and have a great respect for the work she does, keeping the public informed and showcasing the beauty of our wild mustangs and the land. There are so many out there doing their part to make a difference. Supporting the work of advocacy is an important part of bringing positive change. In a way photographers and painters are the ‘eyes’ of what is currently happening on the range as they spend so much time out there. They know the herds, they see the landscape, they are the "catalog" of keeping a record of our wildlands in a way that the BLM doesn’t have the staff to do.


EquuStyle: How are you promoting your wild horse paintings as a “bridge” to educate the public about the plight of America’s vanishing wild horses? 


Melody DeBenedicitis: The raw beauty of "wild" compels people to want to know more. Traveling, doing shows, events, having a galleries…wild horses are not a "hard sell". Few people know much about wild mustangs.  The paintings are my way of "introducing" them to the public. The stories always come as folks ask questions.


There is a lot of propaganda out there, it's one of the biggest reasons I started traveling myself, I wanted to know first hand about the dynamics that surround the plight of our wild lands and the wild mustangs. It’s a politically driven issue that doesn’t have one solution to the diversity of issues that surround our wild mustangs and burros. It will take compromise on both sides to find solutions to assure wild mustangs, burros, wildlife, and the land itself can flourish. The demand of competitive industry on our landscape is fierce, it will take a willingness on both sides to bring sustainable resolutions to preserve the land and the wild.





EquuStyle: What is most important for people and collectors to know about you and your work?


Melody DeBenedicitis: I am convinced that Art can bring change. Art is a form that from its beginnings has always told a story. Art is timeless. I am committed to being one of those artists with a passion to make a difference on behalf of our wild lands and those that call them home.


The importance of preserving our wild places is essential.  To lose the land and the wild would be a loss that cannot be described.  Sanctuaries and preserves are great to have, but the element of "wild" doesn’t exist there like the true wild. Once animals no longer have the social dynamics of "family" etc. between them, they are changed. It's important to recognize "wild" and do our very best to preserve it as it is with as little intervention as possible.


A small wild horse family gathered at a watering hole and drinking together by wildlife and wild mustang artist Melody DeBenedictis.
Bays And Blues 30" x 40" Oil on Gallery Wrap available at https://www.melodydebenedictis.com






EXHIBITION/AWARDS:

2011 MUSTANG MAKEOVER, FORT COLLINS CO

2011 EXTREME MUSTANG MAKEOVER, FORT WORTH TX

2012 MUSTANG MAKEOVER, WY

2011 CHERRY BLOSSOM GALLERY SHOW, CO

2012 SPIRIT OF THE WILD HORSE SHOW, SANTA FE NM

2012 LOVELL MUSTANG DAYS, WY

2012 TERRITORIAL DAYS, NM

2012 STABLES GALLERY “HORSES” SHOW, TAOS NM

2013 WILD HORSE ART SHOW, MAYBELL AND CRAIG CO

2014 LAS VEGAS NM STUDIO TOUR

2015 THUNDERING HOOVES, BEVERLY HILLS CA

2015 THUNDERING HOOVES, TX

2016 THUNDERING HOOVES, MARFA TX

2016 THUNDERING HOOVES, SANTA FE NM

2016 CELEBRATING THE HORSE SHOW, SANTA FE NM

2016 LAS VEGAS ARTS COUNCIL STUDIO TOUR NM

2018 ANGEL FIRE STUDIO TOUR NM

2018 ANGEL FIRE ART UP NM, SECOND PLACE AWARD

2019 THUNDERING HOOVES, FORT DAVIS TX

2019 EQUUS FILM AND ART FEST, SEDONA AZ

2019 WILD MUSTANG SHOW, LIVERMORE CO

2020 SANGRE ART GUILD WESTCLIFFE, FIRST PLACE

2020 EQUUS FILM AND ART FEST, WINNER

2021 EQUUS FILM AND ART FEST, WINNIE WINNER

2022 EQUUS FILM AND ART FEST, RUNNER UP

2022 SANGRE ART GUILD WESTCLIFFE, SPECIAL AWARD

2022 EQUUS FILM AND ART FEST, HONORABLE MENTION AWARD

2022 SANGRE ART GUILD WESTCLIFFE, PEOPLE’S CHOICE AWARD

2022 SANGRE ART GUILD WESTCLIFFE, FIRST PLACE AWARD

2022 EQUUS FILM FESTIVAL, WINNIE WINNER

2022 SANGRE ART GUILD WESTCLIFFE, FIRST PLACE AWARD

2022 VALLEY HARVEST SHOW, BECKWITH RANCH, WESTCLIFFE

2022 SANGRE ART GUILD WESTCLIFFE, SECOND PLACE AWARD

2023 ROCKY MOUNTAIN HORSE EXPO, DENVER CO

2023 COWGIRL GATHERING FORT WORTH STOCKYARDS

2023 MUSTANG SUMMIT, EQUUS FILM AND ART FEST, SECOND PLACE AWARD

2024 365 ART&COLOR ONLINE EXHIBITION/COMPETITION, ARTIST RECOGNITION


OTHER OUTSIDE ACKNOWLEDGMENTS:

"THEIR LAST RIDE” DOCUMENTARY FILM 2016


MEMBERSHIPS:

PRO MEMBER "CGA"- COWGIRL ARTISTS OF AMERICA ASSOCIATE MEMBER "WAOW"- WOMEN ARTISTS OF THE WEST ASSOCIATE MEMBER SANGRES ART GUILD, WESTCLIFFE CO


PAST GALLERY REPRESENTATION:

2012 GRAND TETON GALLERY, JACKSON HOLE WY

2012 CREATIVE SPIRITS GALLERY, FORT COLLINS CO

2014 THOMAS GALLERY, TAOS NM

2016 RUNNING HORSES STUDIO, LAS VEGAS NM

2023 MELODY DEBENEDICTIS FINE ART GALLERY, WESTCLIFFE CO


All images Copyright Melody DeBenedictis -all rights reserved. Cannot be reproduced for any purpose without permission from Melody DeBenedictis.

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